Crystal Lake Memories: The Complete History of Friday the 13th
Crystal Lake Memories: The Complete History of Friday the 13th
How appropriate a history of the Friday the 13th franchise fits into a snug 13 chapters on Blu-ray and DVD. It makes me wonder if its running time of 6.66 hours also is intentional.
Crystal Lake Memories runs a punishing 400 minutes, which signals two things:
1. It’s not required to be consumed in one sitting.
2. It’s not for the casual
Friday the 13th fan. Based on Peter Bracke’s 2006 book of
the same name, this documentary comes from Daniel Farrands, the
director of 2008’s His Name Was Jason: 30 Years of Friday the 13th,
which ran a mere 84 minutes. This is essentially a super-sized version
of that, examining each and every entry in the series, from 1980
original to 2009’s remake, and every machete-slicing spree in between.
will delight in getting glimpses of gore scenes cut by the MPAA,
although their quality resembles third- or fourthgeneration VHS dubs. It
grows self-congratulatory at the end, but that’s easy to forgive, given
its thoroughness, scope and entertainment value. — Rod Lott
Fright Night 2: New Blood
not surprised Fright Night 2: New Blood was made for home video. What
does surprise me is that it is not a sequel. It’s more or less a remake
of the 2011 Fright Night remake, but with entirely different actors to
give it the unmistakable whiff of fan fiction.
Charley (the unappealing Will Payne) and his pal Evil Ed (the more unappealing Chris Waller)
take a class trip to
Romania where they run afoul of a hot, British college professor who’s
also a vampire. She’s played by Jaime Murray (TV’s Spartacus), the only
thing keeping Fright Night 2 from being a total bust. She’s also, to
quote Ed, “like, the ultimate she-bitch, bro!” Said she-bitch requires
the blood of not only a virgin, but a virgin born at the stroke of
midnight — geez, the specifics of cinematic vampire lore these days! —
which is where Charley’s ex-girlfriend comes in. The boys lean on
“reality”-show monster hunter Peter Vincent (Sean Power) for help;
conveniently, he’s in town.
fun, Fright Night 2 is further hampered by dreadful performances from
Payne and Waller. Only Murray approaches the material from the proper
wavelength, giving it more juice than it deserves. — RL
aboard the horror anthology film’s current resurgence is, simply
enough, Horror Stories, a slick South Korean omnibus whose six directors
take a pleasingly old-fashioned approach to four chilling chapters.
In an Arabian Nights-style wraparound, an abducted schoolgirl must tell her captor stories to stay alive. The
best comes first with “Don’t Answer the Door,” in which a two young
siblings awaiting Mom’s arrival home find their apartment infiltrated by
… wait and see. The scariest scenes reside here, as do jolts of genuine
plane, “Endless Flight” pits a flight attendant against a serial killer.
A wicked fairy tale updated for our celeb-obsessed age, “Secret Recipe”
pits stepsister against stepsister, and takes more than a big bite of
inspiration from “Dumplings,” the sickest of Asia’s 2004 terror
triptych, Three … Extremes.
Enough good exists in Horror Stories overall to merit a recommendation for Halloween viewing.
A sequel — Horror Stories 2, duh — was released in the Far East over the summer. Here’s hoping that follows soon. — RL
House of Wax
first 3-D movie I ever saw was 1953’s House of Wax, in a revival run in
the early 1980s at Northpark Mall. My immediate love for it continues
to this day, especially its famous scene of the paddle ball seemingly
bursting through the screen and toward our faces. It’s a superb effect
lost on previous home-video releases; absent of another theatrical
re-release, Warner Bros.’ new Blu-ray (also viewable in 2-D) is as close
as you’re going to get.
Price stars as Henry Jarrod, a wax artist whose extraordinary creations
are more precious to him than life itself. When his greedy partner
burns down the museum for an insurance scam, Jarrod takes revenge by
killing people, dipping them in hot wax, and then displaying their
corpses in his new, improved Chamber of Horrors. The Gothic horror
classic is one of Price’s all-time best films, and creepier than most of
today’s genre offerings.
in 2005, House of Wax is a remake itself, of 1933’s Mystery of the Wax
Museum, included on this Blu-ray for comparison’s sake (as it was with
the initial DVD years ago). Although not packaged and sold as a double
feature, it’s ripe for such viewing. — RL
is a rare remake that’s better than the original. William Lustig’s 1980
film of the same name long has enjoyed a sizable cult, but I found it
to be a thoroughly ugly film in all respects. And I actually like
slasher movies. That’s not to say this update isn’t gory — oh, boy, is
it ever — but it has a style the first film sorely lacked.
Playing against his
nice-guy rep, former Hobbit Elijah Wood is Frank, who preys upon lovely
young women, stabs them and then slices off their scalps to place upon
the mannequins with which he lives and assumes are real. (Why, yes,
Frank is troubled by seriously unsettled mommy issues.)
from things looking as slick as the September issue of Vogue, Franck
Khalfoun’s biggest change-up from the original is putting the audience
in Frank’s POV; Wood is seen almost exclusively in mirrors.
ambitious, impressive visual tricks help make Maniac a higher-mind
exercise than viewers would expect from a string of senseless murders.
Still, there’s a scene that even someone as desensitized as I found
tough to watch, so peace be with the super-squeamish who attempt to give
it a go. You’ll need it. — RL
The Secret of Crickley Hall
What is The Secret of Crickley Hall? A superb BBC limited series that’ll plunk you in the proper Halloween spirit.
on a 2006 novel by James Herbert, Crickley Hall concerns a family in
mourning. Nearing the first anniversary of their unthinkable tragedy,
the foursome moves temporarily to the title abode to escape reminders of
death. You know what they say about best intentions, right?
occurrences practically come built-in, held over from World War II,
when the spacious manse served as an orphanage lorded over by a
seamlessly between the 1940s and the presentday, the work is anchored
by Suranne Jones’ award-worthy performance as the wife and mom who pays
heed to otherworldly signs. Crickley Hall excels as a Gothic-styled
haunted-house tale told in a contemporary style, bristling with
atmosphere and chills both literal and figurative. I was so addicted,
its three hours were consumed in a single sitting. — RL