At the heart of all cinema lies a body-horror film about a human walrus. With Tusk, Kevin Smith continues a tangent seemingly spurred by 2011’s Red State.
After 28 years away from home, Sofsky is back in the Sooner State and has joined the Oklahoma Film & Music Office as director.
Writer-director Michel Gondry got his start in the attention-span-challenged realm of music videos, where he learned that less is not necessarily more.
The initial image of Michaël Roskam’s first directorial venture into American cinema, The Drop, is a rippling reflection of a mechanical structure within a lowly puddle.
The pair essentially portray exaggerated versions of themselves eating their way through Italy as part of a travel piece for a London newspaper.
Somewhere between the simmering racism in Billy Jack and the juiced-in hick mobsters of Walking Tall lives Mr. Majestyk.
As ancient as the vampire genre is, there always seems to be something fresh that can be derived from it.
Six films into his career, Ti West has proven to be the best and smartest guy in the horror game.
Small-town life and sheer boredom had Anderson going through the lists of the great L.A. blockbusters, foreign works, art films and repertory masterpieces.
A church hosts a local film debut and discussion about our region’s ugly history with race relations and how it’s relevant today.