Director Gareth Edwards applies a natural sense for majesty and scale to the ominous AT-AT Walker.
“It was so surreal to be back on that set,” Mullally said. “We have been off the air for 10 years, but [we] slipped back into those characters [like] it was like no time had passed at all.”
Into this horror comes Denis Villeneuve’s Arrival, a science fiction drama in which the effort to engage in thoughtful, careful communication could make the difference between the continuation of human existence and the real possibility that we could all get blown to bits.
Foggy camerawork reinforces foggy writing as book fans and newcomers alike will drift off during the lengthy scenes of conversation between patient and psychologist.
Palmer and Strange dance the tired dance between the arrogant dick and the patient woman who is always there for him.
Despite their vibrant colors, many of the main characters display everyday, cookie-cutter personalities.
Samuel L. Jackson appears in the film as the villainous Barron.
Director Peter Berg refuses to dumb down the technical events surrounding the spill.
The Kate Winslet-helmed film is packed with complex storylines and different genres.
Director Adam Wingard also helmed 2013 horror film You’re Next.