Tuesday 22 Jul
 
 

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0

Narrative verse

L.T.Z. with Jabee, Frank Black & more
8 p.m. Saturday
The Conservatory 
8911 N. Western Ave. 
conservatoryokc.com 
607-4805
$7 

07/16/2014 | Comments 0

Dancing in the Twilight

Sunday Twilight Concert Series with The Wurly Birds
7:30 p.m. Sunday
Myriad Botanical Gardens 
301 W. Reno Ave. 
myriadgardens.org 
445-7080
Free 

07/16/2014 | Comments 0

Next big thing

As far as songs go, few prove as challenging to sing as our national anthem.

It’s a technically demanding tune from first note to last, to be sure, beginning with a low bellow that quickly soars toward star-punching high notes, eventually swelling to a show-stopping crescendo that even the most seasoned performer can have trouble mastering.

07/09/2014 | Comments 0
Home · Articles · Reviews · Folk · Jonny Burke — Distance and...
Folk
 

Jonny Burke — Distance and Fortune


Folk fares better than rock

Stephen Carradini January 18th, 2011

Ever since Dylan went electric, folk and rock have had an uneasy back and forth relationship. Some who excel at one find they fail at the other. Some can do both.

From Austin, Texas, where they know a thing or two about both genres, Jonny Burke excels at folk tunes, but is off on his rock tunes, on “Distance and Fortune.”  

It’s not the instrumental execution that’s off; Burke blasts out of the gate with “Broke Again,” which sounds somewhere between Springsteen and The Hold Steady, musically. The problem is the vocals, which are blown out and gravelly. The parts don’t mesh right, and the song feels uncomfortable. I’m sure that it makes much more sense live, but on disc, it’s a bit odd.

What makes even less sense is that when he plays acoustic folk, his voice is even, emotive and gorgeous. “In the Autumn” is an absolute knockout of a folk song, incorporating guitar twang, snare shuffle and solid melodies into a tune that almost jumps onto mixtapes. I selfishly want him to stop singing rock songs so that he preserves his voice for his folk tunes, lest he end up like Tom Waits. “Little Girl of the World” is another slow, pristine folk tune that relies on Burke’s sensitive, emotive voice;  “Don’t Let Me Fall” goes on for six heartbreaking minutes.

But for every heartrending folk tune, there’s a rock tune that doesn’t match up in quality. “Cracka Jack” is the closest that Burke comes to combining his great vocals and rock; I wouldn’t be so opposed to his rock tunes if he gave us more of the gorgeous vocals he’s capable of. But even “Cracka Jack” doesn’t feature a performance as attention-grabbing as his folk tunes.

You can rock and have a great voice; it is totally possible. Burke needs to stop trashing his voice for the sake of attitude, lest he ruin his brilliant folk songs. In that vein, half of “Distance and Fortune” is great; the other half, not so much. If he ever does an acoustic session of the entire album, sign me up. —Stephen Carradini

 
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