Sunday 19 May
 
 

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0

Bright stripes

Tiger High with Cosmonauts and The Garden
10 p.m. Monday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$5
05/15/2013 | Comments 0

Reverb brotherhood

Basile Benefit Bash with The True Believers, The Fortune Tellers, The Reverb Brothers, DJ Jon Mooneyham and more
9 p.m. Friday-Saturday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$20 Friday, $10 Saturday
05/15/2013 | Comments 0

Back to basics

O Fidelis with Chelsey Cope
9 p.m. Thursday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
free
05/08/2013 | Comments 0
Home · Articles · CDs · Indie · Steven Drozd — The Heart Is a...
Indie

Steven Drozd — The Heart Is a Drum Machine


A Flaming Lip goes solo for soundtrack work

Stephen Carradini January 26th, 2011  

The Flaming Lips are incredibly self-contained; the members rarely do side projects. So it’s with great interest that multi-instrumentalist Steven Drozd’s score for the music documentary “The Heart Is a Drum Machine” appears.

Steven Drozd — The Heart Is a Drum Machine

The Flaming Lips are incredibly self-contained; the members rarely do side projects. So it’s with great interest that multi-instrumentalist Steven Drozd’s score for the music documentary “The Heart Is a Drum Machine” appears, as the Lips’ resident music genius hasn’t released his own stuff (ignoring studio work for other bands) since joining the group in 1991.

The great answer to “What does a Flaming Lip sound like outside the band?” is “pretty freakin’ great, actually.” Some sounds will be very familiar to Lips fans, like the guitar tone on “Quaalude Youth” and synths similar to the lush instrumental tracks of “Yoshimi Battles the Pink Robots,” but Lip-esque sounds do not comprise the bulk of the album. Instead, Drozd gets down to Soundtrack 101, churning out tunes that are long on mood and short on vocals.

The calm, melodic songs spread the heavy lifting between guitar, synthesizer and piano. “Get On” has a huge, noisy synth to hold attention; “Born” features an organ that drives an epic feel without getting overblown. Standout track “Requiem for a Dying Star/Ode to a Twinkling New …” is a hip and interesting reinterpretation of “Twinkle, Twinkle, Little Star.” A kids’ song has never sounded so cool. Many of these numbers beg for emotional narration; they’re songs, but they’re also score.

These tracks are stellar, worth checking out even apart from the film for which they were commissioned. —Stephen Carradini

 
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