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Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
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Music
 

Fold me now


With a new album co-written by a superstar novelist and plans for more experimentation, Ben Folds will rock the suburbs as long as they exist

Stephen Carradini January 25th, 2011

Ben Folds with Street Corner Symphony
7 p.m. Tuesday
Cain’s Ballroom, 423 N. Main, Tulsa
www.cainsballroom.com, 918-584-2306
$32-$34

Ben Folds has been at this so long that the first release of his second band was 10 years ago.

“That’s my old shit now. That’s fucked up,” he said, laughing.

But even if “Rockin’ the Suburbs,” his first album of piano pop under his own name after the dissolution of ’90s indie critical darling Ben Folds Five, was a decade ago, his quality hasn’t sagged with age. On Tuesday, he’ll bring top-notch tunes from his current record, “Lonely Avenue,” to Cain’s Ballroom in Tulsa.

The disc is a collaboration with Nick Hornby, whose 1995 work, “High Fidelity,” is a landmark in the “books about people who read books about music” genre. The two are friends, and decided to team for a record, with Hornby contributing lyrics and Folds contributing music.

The pairing resulted in some of Folds’ strongest songs to date, including “Levi Johnston’s Blues” and “Your Dogs,” which you may have heard as the theme song to the current sitcom “$#*! My Dad Says.”

“‘Your Dogs’ happened so fast that I had the whole track written while the band was at lunch,” he said. “It’s fun to work that fast and still be affected and moved by the song. It doesn’t last long. Soon, you’re the doctor. You’re the coroner looking at a dead body.”

The doctor also looked at “Levi Johnston’s Blues,” a fictionalized account of the real-life guy who “knocked up the VP nominee’s daughter,” complete with multitracked dude-bro vocals.

“I wanted it to have some tension and mystery,” Folds said. “I was aware only later that words from Levi Johnston’s MySpace were the chorus. That gave me some energy for the chorus.”

It’s a song that ranks high among all his work. Although it might seem weird to have people you’ve never met ranking your accomplishments, Folds welcomes it. He’s especially fond of listeners who respect his new material.

“I think it’s a happy thing when people allow it to compete with your older stuff,” he said. “Hopefully, something in it compels you to listen to it enough to take it seriously.”

Even with all the thought Folds puts into his work and the criticism he receives, he maintains perspective.

“It’s just a pop song. It’s not Stravinsky,” Folds said.

His next project with Hornsby, however, might not be “just” that. The two have discussed the possibility of a novel-with-CD project that eventually would grow into a stage musical.

“He would write a book, and I would write songs for it,” Folds said. “It would give the songs context they may not have had. It would be really fun. He would know it’s based on music, and we would take it from the inside out.”

While work hasn’t begun on the project, Folds is confident the project will happen. In the meantime, he has plenty of touring, writing and hobbies to keep him busy. Even if the formation of Ben Folds Five was almost 20 years ago, there are still plenty of ideas left in his head. His current experiments include instruments played “irreverently.”

“Right now, I really like hearing a cello sound like it’s about to fuckin’ break,” he said. “That’s a lot more interesting to me than an electric guitar played like it’s about to break.”

 
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