Thursday 20 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Fold me now


With a new album co-written by a superstar novelist and plans for more experimentation, Ben Folds will rock the suburbs as long as they exist

Stephen Carradini January 25th, 2011  

Ben Folds with Street Corner Symphony
7 p.m. Tuesday
Cain’s Ballroom, 423 N. Main, Tulsa
www.cainsballroom.com, 918-584-2306
$32-$34

Ben Folds has been at this so long that the first release of his second band was 10 years ago.

“That’s my old shit now. That’s fucked up,” he said, laughing.

But even if “Rockin’ the Suburbs,” his first album of piano pop under his own name after the dissolution of ’90s indie critical darling Ben Folds Five, was a decade ago, his quality hasn’t sagged with age. On Tuesday, he’ll bring top-notch tunes from his current record, “Lonely Avenue,” to Cain’s Ballroom in Tulsa.

The disc is a collaboration with Nick Hornby, whose 1995 work, “High Fidelity,” is a landmark in the “books about people who read books about music” genre. The two are friends, and decided to team for a record, with Hornby contributing lyrics and Folds contributing music.

The pairing resulted in some of Folds’ strongest songs to date, including “Levi Johnston’s Blues” and “Your Dogs,” which you may have heard as the theme song to the current sitcom “$#*! My Dad Says.”

“‘Your Dogs’ happened so fast that I had the whole track written while the band was at lunch,” he said. “It’s fun to work that fast and still be affected and moved by the song. It doesn’t last long. Soon, you’re the doctor. You’re the coroner looking at a dead body.”

The doctor also looked at “Levi Johnston’s Blues,” a fictionalized account of the real-life guy who “knocked up the VP nominee’s daughter,” complete with multitracked dude-bro vocals.

“I wanted it to have some tension and mystery,” Folds said. “I was aware only later that words from Levi Johnston’s MySpace were the chorus. That gave me some energy for the chorus.”

It’s a song that ranks high among all his work. Although it might seem weird to have people you’ve never met ranking your accomplishments, Folds welcomes it. He’s especially fond of listeners who respect his new material.

“I think it’s a happy thing when people allow it to compete with your older stuff,” he said. “Hopefully, something in it compels you to listen to it enough to take it seriously.”

Even with all the thought Folds puts into his work and the criticism he receives, he maintains perspective.

“It’s just a pop song. It’s not Stravinsky,” Folds said.

His next project with Hornsby, however, might not be “just” that. The two have discussed the possibility of a novel-with-CD project that eventually would grow into a stage musical.

“He would write a book, and I would write songs for it,” Folds said. “It would give the songs context they may not have had. It would be really fun. He would know it’s based on music, and we would take it from the inside out.”

While work hasn’t begun on the project, Folds is confident the project will happen. In the meantime, he has plenty of touring, writing and hobbies to keep him busy. Even if the formation of Ben Folds Five was almost 20 years ago, there are still plenty of ideas left in his head. His current experiments include instruments played “irreverently.”

“Right now, I really like hearing a cello sound like it’s about to fuckin’ break,” he said. “That’s a lot more interesting to me than an electric guitar played like it’s about to break.”

 
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