Thursday 24 Apr

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
Home · Articles · Music · Music · Leggo my emo

Leggo my emo

Jimmy Eat World is the reluctant luminary of emo, stuck in ‘The Middle’ of the genre, but paying it no mind

Phil Bacharach January 26th, 2011

Jimmy Eat World with David Bazan & Band
7 p.m. Saturday
Diamond Ballroom, 8001 S. Eastern
$22 advance, $24 door

Jimmy Eat World isn’t known as a political band, but its four members have been active in their native Arizona when it comes to their favorite member of Congress, Rep. Gabrielle Giffords. They’ve played a few fundraisers for her in the past, and so they were particularly distraught, like most Americans, in the wake of her shooting outside a Tucson, Ariz., grocery Jan. 8.

“It’s very sad and disheartening, and it’s hard to make sense of it,” drummer Zach Lind said. “We really think she’s an excellent representative for Arizona and has done a lot for her state. She’s always been someone we supported, and we’re not always thrilled with the kind of representation we get here in Arizona.”

As for the subsequent debate about political rhetoric that followed Giffords’ shooting, Lind rejected any suggestion that overheated words triggered the massacre that killed six bystanders. Still, he added that “you have to be responsible for what you say and all the ways in which it can be perceived.”

He would know. In the wake of the 9/11 terrorist attacks, the band temporarily changed the title of its 2001 record, “Bleed American,” to the less provocative “Jimmy Eat World.” Whatever it was called, the disc proved a platinum-seller, fueled by hit power-pop hits “The Middle” and “Sweetness.” Combined with a critically praised 1999 effort, “Clarity,” the group — playing Saturday at Diamond Ballroom — became the poster boys of emo rock, a genre distinguished by emotional nakedness.

But it’s a classification that rankles Lind. He said he and his bandmates — vocalist/guitarist Jim Adkins, guitarist Tom Linton and bassist Rick Burch — never hoisted that label on themselves.

“You can call it whatever you want, but we don’t set out to make any kind of music,” said Lind. “We do what interests us. We can’t control if people call it ‘emo’ or something else. We just try to avoid it. It’s kind of like the best way to teach a puppy not to jump on your leg is to ignore the puppy. That’s what we do: Ignore the puppy.”

We can’t control if people call it “emo.” We just try to avoid it.

—Zach Lind

He said that approach was especially true for Jimmy Eat World’s latest disc, “Invented.” Marked by gleaming melodies and ringing guitars, it also happens to be the band’s reunion with producer Mark Trombino, who last worked with the outfit on the ballyhooed “Bleed American.”

“It’s the first record we made where we were the only people in the room the majority of the time,” said Lind. “We followed our gut. It can sometimes be cloudy when you’re making a record. It’s not just your interests involved, but there’s lots of people who have different things at stake.”

He conceded that perhaps Jimmy Eat World shouldn’t have followed its collective gut when it came to naming the band. The odd, grammatically incorrect moniker came from a drawing by one of Linton’s younger brothers.

“We literally spent five minutes on that decision,” he said, chuckling. “We never realized we’d be living with that decision more than 16 years later. We might’ve taken a little bit more time deciding.”

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