Thursday 24 Jul
 
 

Escape from Tomorrow

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05/06/2014 | Comments 0

Sorcerer

William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
Home · Articles · Movies · Drama · Idiots & Angels
Drama
 

Idiots & Angels


Clipped wings

Rod Lott January 25th, 2011

Animator Bill Plympton’s “Idiots & Angels” is not what you’d think, for several reasons.

First, it’s not a short, but at 78 minutes, his first feature since 2004. Second, it’s decidedly darker than his usual terrain. Third ... well, in the opening scene, what looks like the main character’s morning wood rustling under the covers is actually an alarm clock. (The end scene? That’s another story.)

The film plays 8 p.m. Friday and Saturday at the Oklahoma City Museum of Art, along with Plympton’s latest short, “The Cow Who Wanted to Be a Hamburger,” a colorful, five-minute piece that looks more like the work of Gary Larson than Plympton.

But back to “Idiots”: Free of dialogue, its unconventional, oft-frustrating story concerns a man who becomes a literal angel, although his behavior is more devilish.

For example, he drinks heavily at his neighborhood bar, to the point where he molests a woman who works there. Once his wings make their surprise sprouting, he wants nothing to do with them.

But when cutting them off just makes them grow back, he gives them a spin, allowing for activities like spying on nude sunbathers. Yeah, he gets shot at a lot.

With its scenes of sex and violence, neither too graphic, it’s definitely not for kids. Plympton has a distinct style recognizable to many who’ve never seen his work in motion; hand-drawn rather than created by computer, “Idiots” should be seen by those more interested in the sheer craftsmanship behind the flighty, freaky events that may not sit well with mainstream tastes. In storytelling terms, it would work infinitely better at a fraction of its length.

 
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