Sunday 19 May
 
 

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0

Bright stripes

Tiger High with Cosmonauts and The Garden
10 p.m. Monday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$5
05/15/2013 | Comments 0

Reverb brotherhood

Basile Benefit Bash with The True Believers, The Fortune Tellers, The Reverb Brothers, DJ Jon Mooneyham and more
9 p.m. Friday-Saturday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$20 Friday, $10 Saturday
05/15/2013 | Comments 0

Back to basics

O Fidelis with Chelsey Cope
9 p.m. Thursday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
free
05/08/2013 | Comments 0
Home · Articles · CDs · Folk · Starlings, TN — How Dark It Is...
Folk

Starlings, TN — How Dark It Is Before the Dawn


Easily the most crushingly sad album I've heard this year

Stephen Carradini February 3rd, 2011

I love depressing music, but nothing prepared me for this. 

starlingstn

How Dark It Is Before The Dawn” by Starlings, TN is easily the most crushingly sad album I’ve heard this year. It’s also on the shortlist for “Most Depressing Album I’ve Ever Heard,” right up there with every one of Elliott Smith’s records and “And Now That I’m In Your Shadow” by Damien Jurado.

Starlings, TN’s folk, Americana and alt-country mix skews toward the stark and empty school of arrangement, but that’s not what makes this a mega-downer. Plenty of guys are optimistic with nothin’ but a guitar. What makes this so devastating is the brutal, effective lyrics and overall sense of doom that permeates the words and music.  Even with the scant glimpses of optimism throughout (see the title), this is almost unbearably sorrowful.

For example, I’ve heard the first track 13 times, and the play count decreases down to the last track, which I’ve heard four times. I’ve only been able to make it through this album four times out of 13. Ouch. And that’s not because the music is bad; it’s very good. It’s just … okay, I’m beating a dead horse. —Stephen Carradini

 
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