RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
In 2008, the third act of the guy comedy Role Models used LARPing — live-action role-playing, that is — as a backdrop for our protagonists' lessons learned. Today, Knights of Badassdom extends that half-hour into a full feature, to the point where viewers are left not smiling, but exhausted.
Not everything on television has to appeal to mass audiences. In fact, with the further fractioning of viewership thanks to alternatives like Netflix and VOD, more series can afford to become more niche. Here are five examples of shows both past and present — and new to DVD and/or Blu-ray — that encompass some of the more outrageous ideas ever to go beyond boardroom discussion.
Seventeen years after slaying 10 women and getting away with it, the charismatic serial killer Du-sok (Park Si-hoo) comes clean with a Confession of Murder, in this 2012 South Korean crime thriller. He does so by publishing a book that dishes all the grisly details.
While long impressive on the big screen, from “The Station Agent” to “Brokeback Mountain,” Michelle Williams does her best work yet in “Blue Valentine,” the fractured love story that has earned her a well-deserved Academy Award nomination for Best Actress.
She doesn’t have a chance, really, but in another year, amid a different set of nominees, things might be different.
The same shift in luck applies to the couple who comprise this film’s core: one year, blissful; another, miserable. Cindy (Williams) is a nurse, while her husband, Dean (Ryan Gosling, “Lars and the Real Girl”), is a housepainter who makes up in drinking what he lacks in ambition. Together, they have a darling daughter (newcomer Faith Wladyka), but even she can’t bond them tight enough to keep their divide from fatally widening.
“Valentine” starts in the now, then gradually introduces scenes from their courtship that not only show them in happier days, but demonstrate that they likely were doomed from the start. When a relationship begins with deeply rooted feelings of uncertainty and jealousy, no piece of paper will alter that.
It’s a shame that director/co-writer Derek Cinefrance’s film has attracted more attention for its frank sex scenes between its married characters (its initial NC-17 rating was appealed to an R) than its overall dramatic worth, which is hefty. While Gosling occasionally overplays Dean as a Nic Cage cartoon, Williams’ performance is dead-on perfect, remarkably brave and free of vanity.
“Blue Valentine” benefits from an emotionally lo-fi score by indie-folk rockers Grizzly Bear that matches Cinefrance’s visuals. When the end credits explode in fireworks, so do the hairs on your arms. —Rod Lott