Friday 25 Jul
 
 

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0

Mack truckin’

Swizzymack
9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 
lndrnrs.com 
819-6004 
$10-$15 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Indie · Chikita Violenta — Tre3s
Indie
 

Chikita Violenta — Tre3s


Incredibly cohesive, uniquely fulfilling experience

Stephen Carradini February 21st, 2011

Chikita Violenta’s “Tre3s” is the sort of album that makes me wonder what type of band the members label themselves as. 

acmx023

With so many options at their disposal, it would be interesting to see what they think they play. But their online presence is not forthcoming with a unified front (or, really, any front) on that note, so we’ll have to just play it by ear.

On its face, Chikita Violenta is a Mexican indie-rock band singing in English and released by a highly respected Canadian record label (Arts & Crafts). They take after the late, great Grandaddy in that they write indie-rock songs that exist somewhere between pop and rock; not quite as rebellious as real rock, but not as melody-centric as real pop. Chikita Violenta’s fuzzed-out songs seem to be most focused on fitting into a specific vision for the album, as opposed to any preconceived notions of genre.

And that makes this album an incredibly cohesive, uniquely fulfilling experience. It’s not very good as background music, nor is it radio-ready. But if you like sitting around and listening to music, this will satisfying those longings. The bulk of the songs are intimate yet complex constructions. At the extremes, there are incredibly gentle moments and sweeping swaths of fuzzed-out grandeur. The most standard tune here is “ATPG,” which rides on murmured vocals and a tom-and-bass heavy drum beat. It sounds the most like Grandaddy, and that’s a great thing.

Other songs start out with conversational chatter; some songs abruptly quit, having said their bit. The whole album pieces together like a puzzle, with various themes and moods coming around full circle. There are a lot of interesting beats in “The Monster (Was Last Seen Approaching The Power Plant).” The lazy guitar work of “Siren” has almost nothing to do with those beats. The nearly punk speed and fervor of “The Pause” is a different animal entirely. But they all fit together in the context of the album, and it’s a beautiful thing how that happens.

This is artsy, for sure. There’s not an easily definable single, and it’s got a lot of psych/lo-fi, Deerhunter/Neutral Milk Hotel vibes going on. If you’re into that sort of thing, “Tre3s" is the sort of thing you’ll be really into. —Stephen Carradini

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close