Thursday 20 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Cooper futures


At an age when most are graduating from college, red dirt’s Johnny Cooper is already an old pro.

Joshua Boydston March 2nd, 2011  

Johnny Cooper
10 p.m. Friday Wormy Dog Saloon
311 E. Sheridan
wormydog.com, 601-6276
$10

Tours are no place for parents — even if you aren’t anywhere near Mötley Crüe levels of debauchery — but when you’re a red-dirt musician playing in bars and haven’t hit the legal drinking age, there’s not much of a choice.

“Those were some good ol’ times, having my mom or dad right there with me,” said Johnny Cooper, now 22. “I’ve been gigging since I was 17, if that shows you how many shows I’ve played in bars before I was old enough to be in them. I had to have my mother or father with me, and one of my band members was signed up as my legal guardian if they couldn’t be there. I even had to have an affidavit that said I was there strictly to work. Some venues wouldn’t even let me come out from backstage.”

The Texas native no longer needs legal documentation to take the stage, but he’s still younger than your average country singer. In a genre where the biggest names are well into their 30s and 40s, Cooper is making his mark at a remarkably fresh age. Thanks in part to a childhood flooded with music, he realized quickly what he’d be doing for a living.

“I was either in a dance studio or hanging out with my dad, who was running nightclubs and having live music come through,” he said. “It was one of those things that felt like I was supposed to be in the realm of what my parents were doing. It just felt right.”

So he took up the drums around 15 before a chance encounter with a show promoter led him to pick up the guitar and take a stab at singing to nab his first paid gig. Cooper’s dad encouraged him to try his hand at songwriting; he hasn’t looked back since, playing upward of 180 shows a year. After performing Friday at Wormy Dog Saloon, he’ll record a live disc over the two days following in Wichita Falls, Texas.

Youth has allowed him to avoid the heavy tolls of sustained time on the road, but it’s also come with other advantages, like a willingness and desire to deviate from the norm. His sophomore album, 2009’s “Follow,” brought in funk, R&B and pop influences to the tried-and-true red-dirt sound in which he began.

“I wanted a sound that didn’t sound like anything else around me,” Cooper said. “My whole thing since I’ve started was taking all that I love and finding a way to mend it together.”

He certainly dove into decidedly non-red-dirt fare when seeking inspiration. He went with Sly and the Family Stone, The Roots and John Mayer, finishing with a genre-bending record that might have turned away the purists, but appealed to a wider spectrum.

“That’s understandable, and I can see why, but it seems like most people are still right there with us. For me, it comes back to an old Willie Nelson saying, something like, ‘Bring the hippies and rednecks, and bring them all together,’” he said. “I’d love to be that guy that is 70 years old, still out onstage playing music for people. … I look forward to that more than anything.”

 
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