Tuesday 29 Jul

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0

Mack truckin’

9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 

07/16/2014 | Comments 0

Rock steady

7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Rock · Billy Joel — Live at Shea...

Billy Joel — Live at Shea Stadium: The Concert

You're sorely missed, Bill.

Rod Lott March 9th, 2011

Old Billy Joel songs fit like a glove — a baseball glove, in the case of “Live at Shea Stadium,” a recording of the Piano Man’s 2008 concerts at the iconic New York stadium before it was destroyed the following year.


Knowing these were to be the final musical performances at the Shea, Joel pulls out all the stops, playing to the crowd like it’s one big party. So what if they’re a little slow to pick up on which hit the band tackles before exploding into gracious applause? At least they’re appreciative. Joel even toys with them playfully, breaking away from opening notes of “My Life” to burst out a quick rendition of “Yankee Doodle,” or seguing from the Tin Pan Alley classic “Take Me Out to the Ball Game” into his own “Piano Man.”

The two-disc lineup is heavy on early hits with workingman appeal, including “Allentown,” “Captain Jack” and “Scenes from an Italian Restaurant.” His “Innocent Man” of the MTV era is represented only by minor hit “Keeping the Faith,” while his final albums get more play with “We Didn’t Start the Fire” (which is begging for a 20-year update), “Lullabye” and “The River of Dreams,” the latter of which connects with a cover of The Beatles’ “A Hard Day’s Night.”

Speaking of Beatles, one of them — Paul McCartney — joins Joel for a limp “I Saw Her Standing There” and the closing “Let It Be.” Other guest stars appear, too: Tony Bennett, Garth Brooks and John Mayer, none to great effect. Perhaps sensing gimmick overload, duets with John Mellencamp, The Who’s Roger Daltrey and Aerosmith’s Steven Tyler are contained only on the package’s bonus DVD.

Ballads like “She’s Always a Woman” and “Goodnight Saigon” deflate the atmosphere a little, but when Joel kicks into rock gear, we’re reminded of his pop songwriting genius. Much like Shea to Mets fans, you’re sorely missed, Bill. —Rod Lott

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