Thursday 31 Jul
 
 

Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
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Music
 

Good Grooming


No jacket required as Grooms stroll down the aisle to deliver its dreamy, retooled rock sound.

Joshua Boydston March 16th, 2011

Grooms with Depth & Current and American Aquarium
9 p.m. Tuesday
Opolis, 113 N. Crawford, Norman
Opolis.org, 820-0951
$7

Grooms
Credits: Angela Hodgkinson

A guitar, by itself, is an amazing and beautiful instrument, but for musical swashbucklers looking to explore and find new sonic treasures, effect pedals provide limitless prospects.

A true understanding of capabilities of guitar pedals figures in nicely with the distorted, effect-heavy alternative rock of three-piece Grooms, and when bandleader Travis Johnson found a side gig helping design and manufacture them, that knowledge went to a whole other level.

“In terms of knowing what things could or should sound like, in terms of possibilities, it definitely brings something to the table,” Johnson said. “When we were making our last record, I was just a lot more familiar with sounds we could make. There was such a greater understanding of how these sounds were formed and what could be formed.”

The buzzy Brooklyn band hit in Oklahoma several years before, when Grooms was still Norman alternative favorite The Muggabears. Johnson formed The Muggabears back home in Texas as a solo project before beefing it up with new members while attending the University of Oklahoma. New York City came a-callin’ after graduation, and he — along with bassist and Oklahoma native Emily Ambruso — made the move and shook things up.

“At some point, we got tired of the name,” Johnson said, “and decided to just make it into something new entirely.”

As a result, Grooms found a wider audience to appreciate its sound, a mixture of Sonic Youth meets No Age.

“Lately, we’ve been getting into making more dreamy, soothing sounds, less abrasive things. It’s still the same things in a lot of ways, but just applied differently. Less and less out there, and more melodic, maybe,” Johnson said. “We are kind of getting past the cool guitar work we thought we were doing. With this one, we focused more on vocal melodies, something that people would like to hear and sing along to. Even though that’s obvious, it’s something we’d never thought of before.”

Much of that has been tracked onto the band’s upcoming sophomore disc, “Prom,” which will see release in July, but will be previewed during the group’s trek to South by Southwest, with a pseudo-homecoming stop Tuesday night at Opolis on the way back. Johnson is cautiously optimistic that this album might be the one to break Grooms through, but mostly thrilled how it captured a new side of the group while staying true to the fierce, distorted tunes that got them here and how perfect the “Prom” moniker seemed to fit that.

“I didn’t initially see a tie there,” he said. “It was just a good, unclaimed name that we went with. But there’s that idea of it being something really romantic and kind of innocent … and magical, and if you look at horror movies, there’s this sort of nasty undercurrent to prom. So maybe it’s something pretty with something vicious underneath.”

 
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