Thursday 24 Apr
 
 

Sorcerer

William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0

No Holds Barred

RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
04/15/2014 | Comments 0
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Thriller
 

Source Code


Can’t save the world in eight minutes? Try, try again, posits ‘Source Code,’ a mind-bender that keeps you guessing.

Doug Bentin April 6th, 2011

In order to enjoy “Source Code” to its fullest, stay alert — not always a necessity with thrillers. This time, if you snooze, you lose.

On a commuter train heading into Chicago, a young man jolts awake in the middle of a conversation with his girlfriend, Christina (Michelle Monaghan, “Due Date”), and clearly has no idea who she is, where he is or how he got there.

He excuses himself to the restroom and doesn’t recognize the face in the mirror. A bomb goes off, blowing the train and its passengers to hell and gone. He wakes up again in a small chamber with the face of female Army officer Goodwin (Vera Farmiga, “Orphan”) looking at him via monitor.

He learns he is really Colter Stevens (Jake Gyllenhaal, “Love and Other Drugs”), an Army helicopter pilot stationed in Afghanistan, and — pay no attention to the scientific explanations, because life is too short to attempt figuring them out — he is part of Project Source Code, which allows his mind to enter the body of a Chicago teacher eight minutes before the bomb explodes.

This gives him 480 seconds to find the bomber. If detonation occurs before his mission is complete, he will be sent back to the train for another eight minutes of searching. The hope is that he discovers the identity of the terrorist so a second bombing, this time nuclear in nature, can be prevented in downtown Chicago.

Colter is told that he cannot change the events of history, and that the train must explode no matter what he does, which complicates his efforts, because after several eight-minute passages, he begins to fall in love with Christina. Goodwin develops sympathy for his situation, although the man responsible for Project Source Code (Jeffrey Wright, “Cadillac Records”) may not be trustworthy.

The suspense mounts with what appears at first to be every visit to the past, as Colter learns a little more each time and eliminates passengers from suspicion, one by one. What seems to be an inevitable ending gets complicated when we realize that Colter isn’t really time-traveling, but actually creating a new alternate reality each round.

I know it sounds confusing, but it’s all a lot easier to figure out in a 90-minute film than in a 500word review. Just lean back, grab the armrests and go along with the theoretical science.

Directed by Duncan Jones (“Moon”) and written by Ben Ripley (“Species: The Awakening”), “Source Code” is a terrific thriller with an outstanding cast and an ending you probably won’t see coming. Gyllenhaal more than makes up for his last two disappointments, while Farmiga builds on her recent successes.

If you’ve grown more than weary of the pap “sci-fi” of Spielberg and Lucas, give this one a try.

 
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