Wednesday 22 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Hip Hop/Rap · Rocky Business — A Rebel's...
Hip Hop/Rap

Rocky Business — A Rebel's Roar


A good taste of what the rap/pop duo can do

Stephen Carradini April 7th, 2011

It’s a hard balance to strike between “masses-pleasing nonsense” and “critically pleasing art.”

rockybusiness

If you’re really good or really lucky (coughKanyeWestcough), you can get both at once. Rocky Business’ seven-song EP, “A Rebel's Roar,” skews toward the art, with a few pit stops in the nonsense.

I mention it because the rap/pop duo is really good at club-thumpin’ nonsense when it wants to be. Non-EP single “Kim Kardashian” is an energetic blast of ridiculous, with the hollered chorus, “People don’t dance no more! They just stand there like this!”

Rocky Business don’t ever delve into that mode here, but they do drop “Find Away,” a punk-and-horns-fueled track that even uses an old-school ska up-strum in the verse. It’s easily the most fun to be had on the EP. The rapid-fire “Army of Love” calls up early OutKast in rapping and production. The track falls in nicely behind “Find Away” on the fun-o-meter.

The rapping is quick and smooth throughout, whether in the chilled-out “Burning Dust” or the K’Naan-esque hip-hop of “America.” “Rocky’s Theme” drops in some electro-inspired indie and an indie-rock chorus to place raps around, while “Glide” is as close to a modern rap track as Rocky Business gets, what with the autotune, buzzing synths and snapping percussion.

Other than “Glide,” these songs are not jamz that will end up in clubs or on the radio; or perhaps the duo is on to something I’m not, and they’re joining up the critical and the popular somewhere past me.

This debut is a good taste of what they can do, but it’s not a defined statement of anything. I look forward to their next proper release to see which of many possible directions this talented duo will go. —Stephen Carradini

 
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