Monday 20 May
 
 

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0
Home · Articles · Movies · Drama · Jane Eyre
Drama

Jane Eyre


A good adaptation of one of world literature’s essential novels

Doug Bentin April 13th, 2011  

Perhaps the reason so many adult women became enthralled by the romance of Edward Cullen and Bella Swan is because they never read “Jane Eyre,” which could reasonably be called “Twilight” for grown-ups.

Starring Mia Wasikowska (“The Kids Are All Right”) as Jane, and Michael Fassbender (“Inglourious Basterds”) as Rochester, this new version emphasizes the novel’s Gothic elements: gloom, melancholy, suspicion and someone creeping through the halls of Thornfield Manor after dark. Director Cary Fukunaga (“Sin Nombre”) and screenwriter Moira Buffini (“Tamara Drewe”) provide an intensity of emotion and fear that is palpable.

Jane is a young woman who becomes the governess in the home of Edward Rochester, a brooding, cynical man saddened by something mysterious in his past. He tells Jane, his intellectual equal, that he was not always as she sees him now, and Fassbinder does a fine job of playing the formerly happy man buried under years of disappointment and coldness. The two of them fall in love, but his past keeps them from marrying.

Excellent in support are Judi Dench (“Nine”) as the housekeeper; Jamie Bell (“Jumper”) as St. John Rivers, the India-bound missionary in love with Jane; and newcomer Amelia Clarkson as a young Jane.

This is a good adaptation of one of world literature’s essential novels, made even better by its re-creation of the Gothic atmosphere that has been thrilling readers for 164 years. Then, for an entertaining triple feature, go home and watch “Rebecca” and “I Walked with a Zombie,” two clever variations on a theme.

 
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