Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Christian music

Christian music

Ex-Oklahoman Christian Kane has a sweet gig on the TV series ‘Leverage,’ so why would he clutter his schedule pursuing country?

Joshua Boydston May 4th, 2011

About 2,000 miles exist between Hollywood and Nashville, but that doesn’t mean country singer and actor Christian Kane won’t do his best to be in two places at once. Being both is a dream he’s had for most of his life, so he’s not about to let distance interfere.

“I’m still the 15-year-old kid sitting on the side of his bed dreaming that all this stuff would happen, so you make it work,” said Kane, who has a starring role on TNT’s hit series “Leverage,” opposite Timothy Hutton. “It’s the only thing I’ve ever wanted to do. If you really want something, you’ve got to visualize it, and I’ve been visualizing it every day for years and years.”

He was born in Texas, but raised in Oklahoma on a steady diet of Toby Keith and Garth Brooks. The entertainment bug bit him while attending The University of Oklahoma, so he decided to ditch school to pursue acting in California … but not before telling his father.

“I thought I was going to get punched in the face,” Kane said. “But he was so supportive. I couldn’t believe that this man sitting across from me, my dad, believed in me so much.”

Things moved relatively quickly, no doubt due to his versatility as a performer.

“I was auditioning for a show that called for a musician, and I got the part mostly because of it. I actually owe my whole acting career to me being a singer,” he said. “I just consider myself an entertainer. Forty, 50 years ago in Hollywood, you couldn’t even get a deal if you couldn’t sing and act.”

A string of roles — including the films “Friday Night Lights,” “Just Married” and “Secondhand Lions” — soon followed, but Kane still longed for a serious music career that offered things acting couldn’t.

“You do a show or you do a movie, and you are never there with the people you did it for. You don’t know if they laughed, cried or even liked what you did, but with singing, it’s immediate,” he said. “When you are onstage, putting yourself out there, and if people are digging it, they feed it back to you with energy and this immediate response.”

He’s performed since 1998, but only had time to record one fulllength, self-released album in 2000 in all those years. But things shifted into a higher gear last year, when Kane was able to follow through with a true label debut, “The House Rules.”

“We have the best fan base, and they’ve waited patiently for us to get music out,” he said. “The biggest thing was giving the people what they were owed. They’ve stuck around and been faithful for so long, and that was a beautiful day because I finally made good on my promise.”

Kane remains as active as ever — “Leverage” returns this summer for season four — and he intends on making the most of both.

“Yeah, I’m busy,” he said, “but it’s a good problem to have.”

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