Wednesday 23 Apr
 
 

Norman rock well

Norman Music Festival

6 p.m.-2 a.m. Thursday, 3:30 p.m.-2 a.m. Friday and noon-2 a.m. Saturday

Downtown Norman

normanmusicfestival.com

Free

04/23/2014 | Comments 0

Grouplovin’ it

Grouplove with MS MR and Smallpools

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$22-$24

04/23/2014 | Comments 0

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0
Home · Articles · CDs · Indie · Other Lives — Tamer Animals
Indie
 

Other Lives — Tamer Animals


Lush, thoughtful and detailed indie beauty

Stephen Carradini May 4th, 2011

Not listening closely to “Tamer Animals” by Other Lives will cause you to miss most of what makes it so great.

tameranimals

The intricate details and arrangements aren't forced on the listener here; it's very possible to listen casually and only hear some stately, beautiful, mid-tempo indie tunes. The songs are much more than that, but those who don't enjoy seeking out the layers of composition may just hear a big wash of sound.

Then again, if you're into aural tidal waves, you'll love “Tamer Animals” for different reasons than I. The moods of each piece hang together, creating an album that feels very much all of one piece. From the pulsing horns of opener “Dark Horse” to the gently galloping rhythms of “For 12” to the closing string elegy “Heading East,”a sense of calm, stately wonder at the state of things is invoked.

At the center of the sound is Jesse Tabish's ghostly, mournful voice, evoking emotions enhanced by the intricate instrumentation. Strings swoop in and out, while thoughtfully chosen percussion is purposefully played. These and other equally important elements lurk just below the top level of the mix. Tabish spent 14 months crafting these songs in the studio, and thus there is not an spontaneous moment on the record — everything is placed just so.

That's not to say that there isn't life or energy to be had; these tracks carry an easy momentum that keeps the experience from becoming a drag. Penultimate track “Landforms” is a good example of both their complex compositions and their ability to wring energy out of those unusual tunes. A thumping tom and jingling sleigh bells pair with pulsing horns (similar to the opener, it all comes back around) to push the track calmly through.

But it's not all esoteric composer's moves here. Tabish has a pop side to him, and many of the vocal melodies are accessible. It's not Ke$ha by any stretch of the imagination, but this isn't an austere songwriting experiment, either.

On that level, the lush “Tamer Animals” is good at first glance. It's excellent if you sift through its contents for the surprising and interesting details. Choose your own adventure. —Stephen Carradini

 
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