Tuesday 18 Jun
 
 

New Zoo revue

As the bitter battle over management of the Zoo Amphitheatre played out in public last summer, Oklahoma City music fans may have worried whether the outdoor venue at 2011 N.E. 50th would be open for business this summer.
06/12/2013 | Comments 0

Howard stern

Music always has been in Howard Pollack’s blood — maybe not onstage, but definitely behind the scenes.
06/12/2013 | Comments 0

Graves encounters

Shakey Graves with Wild Child and Marmalakes
10:30 p.m. Thursday
The Blue Door
2805 N. McKinley
bluedoorokc.com
524-0738
$15
06/12/2013 | Comments 0

Vulgar incident

Vulgar Fashion with Depth & Current and Quilted Cherry Podium
8 p.m. Friday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
free
06/12/2013 | Comments 0

Music Made Me: Laura Leighe

Boyz II Men, II (1994)
I believe this was the first CD that I bought with my own allowance at Duncan’s local music store. It’s another really fun, soulful album — vocally, harmonically, musically outstanding. I remember lying on my bedroom floor and studying the lyrics, mesmerized for hours. I loved the singles, but my favorites were the opening track, “Thank You,” and the last track, their gorgeous, soul-grabbing rendition of The Beatles’ “Yesterday.” I was just learning about harmony at the time, and loved listening to their rich, thick, beautiful sound.
06/11/2013 | Comments 0
Home · Articles · CDs · Indie · Man-made Objects — EP
Indie

Man-made Objects — EP


Beautifully recorded psych and shoegaze tunes

Stephen Carradini May 18th, 2011  

Man-Made Objects’ shoegaze and psych tunes rely heavily on songcraft, relegating reverb to an effect on guitar and vocals instead of the featured element.

Man-Made Objects’ shoegaze and psych tunes rely heavily on songcraft, relegating reverb to an effect on guitar and vocals instead of the featured element. As a result, the band calls to mind a less noisy Stardeath and the White Dwarfs or a darker Flaming Lips.

The songs are catchy, but that’s a bonus; the most memorable aspect of the “EP” is its consistent ethereal mood. Even when the band beefs up the beat and increases the tempo on “Tricia with Color Bars,” the sound is maintained.

Because “song” is so important, the instrumentation isn’t gaudy or ostentatious.

“Black-Green” opens the set with dark guitar work, heavily modified vocals and simple drumming. The bass work, while not often overtly featured, grounds the sound in a very satisfying way.

“EP” was recorded at Bell Labs with Trent Bell, and his expert hand allows the recording studio to get out of the way of the songs. The immediate and arresting “Dying Storms” proves this; it feels as if Man-Made Objects are in the room when it’s played (other than the distant vocals). “Happiness Is a Pyroclastic Flow” is another excellent cut, featuring a great vocal line and a vintage ’70s guitar lick.

The five-track disc is an excellently written, beautifully recorded set of dark, psychedelic and shoegaze tunes. —Stephen Carradini

 
  • Currently 3.5/5 Stars.
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