Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Do or dial


RadioRadio aims to conquer the airwaves, but if not, at least the Tulsa act has a new album that rocks through the static.

Joshua Boydston May 18th, 2011  

Radioradio
9 p.m. Saturday
VZD’s Restaurant & Club, 4200 N. Western
VZDs.com, 524-4203
$5

Tulsa alternative act RadioRadio has never been shy of its intention; it’s so committed that the band decided on repeating it in its name.

“There’s always been that desire to breakout into being the national act we are capable of being,” vocalist Greg Hosterman said. “I felt like the name was an exultation. RadioRadio: We embrace the radio and want to be on the radio.”

It has always played like a radio band, blaring a polished, capable sound — inspired by David Bowie and Joy Division — that reflects current bands like The Killers or The Bravery. Powerful vocals, soaring choruses and tight musicianship has marked each release, and that’s always reflected in its live sets — including gigs at South by Southwest, Dfest and pre-shows for Paul McCartney and Journey — that usually win over new fans.

“It’s always enjoyable to see the arms become uncrossed,” Hosterman said. “People don’t know what to expect since we are an unsigned, regional act, and we get up onstage, and there’s this conversion from indifference to genuine enjoyment. We get a real charge out of that.”

It’s been five years of toying around close to that breakout success RadioRadio has been so steadfast in moving toward, although coming on around the time the music industry went into flux has stifled that push through. A bit of time was spent

lamenting the diminished power of the airwaves and the record labels, but the band since has embraced an increased capacity for independence. Its latest record, “Esprit De Corps,” was done entirely on the guys’ own.

“We’ve always relied on other people for help, but we did all of this in-house,” bassist Paul Cristiano said. “I like working with people from the outside, but I think we were confident enough to tackle this on our own this time.”

They feel all the stronger and more accomplished for it. The process of crafting the album was, at times, a struggle, but Cristiano and Hosterman’s steadfastness always gets them through. Time will tell if RadioRadio will be able to achieve the radio domination it has always desired, but at least it is a possibility.

“After a few fistfights and some disagreements, I think we really put a punctuation mark on the title of the record,” Hosterman said. “We are only as good as our ability to resolve our conflicts, and we did that and made a record that is better than any record we’ve put out in the past, and it was done without one cent spent. There wasn’t a single investor. It’s kind of comforting. We’re the masters of our own destiny, a little bit.”

 
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