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Sorcerer

William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0

No Holds Barred

RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
04/15/2014 | Comments 0
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Documentary
 

Into Eternity


Timely, visually crisp documentary

Rod Lott May 18th, 2011

To paraphrase Peter Graves’ pedophile pilot in “Airplane!,” “Joey, do you like movies about nuclear waste facilities?”

If so, the Oklahoma City Museum of Art is running one, “Into Eternity,” Friday through Sunday. And talk about timely; one of its tenets is that the world above ground is too unstable to store nuclear waste, as the recent earthquake — and resulting plant disaster — in Japan proved.

As one of the scientists interviewed in this documentary says, “You can’t make nuclear waste go away. You can’t make nuclear waste harmless.” So the best we can do is seal it up until it no longer is hazardous: 100,000 years.

Director Michael Madsen (not the actor, although he’d do it for a six-pack of PBR), looks at the underground tunnels of Onkalo, a Finnish facility being designed to last at least that long, and won’t even be completed until the 22nd century. His camera snakes and swirls slowly around Onkalo’s insides, with Kubrickian awe and resolve.

Equally purposeful are the film’s crisp graphics, from its title cards to a computer map of the facility, whose twisting tunnels digging deep resemble the Umbrella Corporation in the “Resident Evil” franchise. One sequence eerily depicts the radioactive cloud that grew over Chernobyl after that city’s 1986 nuclear accident.

There’s no real narrative drive to the film, however, although Madsen tries to shoehorn one in. It’s his face that greets the viewer in the opening moments, and his Dieter-esque voice we hear throughout as he tosses about philosophical questions, often ending with the rhetorical but pretentious, “How is it with you?”

Visually, quite fine, thanks for asking.
 
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