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The Burning

It speaks to the strength of The Burning’s reputation among cult-film fans that what’s most memorable about the 1981 slasher is not that it was written by the Weinstein brothers, nor that it represents early appearances of the likes of Jason Alexander, Holly Hunter and Fisher Stevens. It’s that its Cropsy is just a damned good villain.
05/24/2013 | Comments 0

Dexter: The Seventh Season

There's no way to discuss the seventh and penultimate season of Showtime's hit Dexter without acknowledging how the previous year ended. Therefore, if you haven't finished the sixth season, stop reading now. You've got work to do.
05/21/2013 | Comments 0

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0
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Reel secret


OKCMOA among a select group of institutions with a 16mm film archive

Rod Lott June 1st, 2011  

This weekend, as Oklahoma City Museum of Art patrons watch “These Amazing Shadows,” a documentary about film preservation, they may be unaware that some classics are being preserved one floor above their heads.

In a locked room kept at a chilly 62 degrees are reels of more than 500 films, mostly 16mm, said Brian Hearn, film curator.

The museum is one of less than 10 institutions nationwide that houses such an archive, including the Library of Congress, New York’s Museum of Modern Art and the Academy of Motion Picture Arts & Sciences.

That OKCMOA is among them is entirely accidental, Hearn said.

“It was not part of the plan,” he said, when the museum moved from the state fairgrounds in 2002. But a call from University of Central Oklahoma professor John Springer changed all that: a custodian found 180 films in a closet and was taking them to the Dumpster, which Hearn was “absolutely mortified” to hear.

One impromptu mission later, he said OKCMOA staffers were “stunned” at what they had rescued: works by some of world cinema’s most lauded directors: D.W. Griffith, Akira Kurosawa, Ingmar Bergman, Jean Renoir, Federico Fellini.

More acquisitions followed, including the classics “The Maltese Falcon,” “King Kong,” “Dr. Strangelove,” “It Happened One Night” and “High Noon,” plus Thomas Edison shorts and Max Flesicher cartoons starring Superman, Popeye and Betty Boop. The shelves sport their share of oddities, such as “Twilight Zone” episodes, the “Bambi Meets Godzilla” short and something called “Hank the Cave Peanut.” Whatever the title, it’s all important.

“We treat this just as we would our art collection,” Hearn said. “It’s a very eclectic collection. It’s literally an international collection, but its strength is American history.”

 
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