Sunday 19 May
 
 

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0
Home · Articles · Movies · Features · Reel secret
Features

Reel secret


OKCMOA among a select group of institutions with a 16mm film archive

Rod Lott June 1st, 2011  

This weekend, as Oklahoma City Museum of Art patrons watch “These Amazing Shadows,” a documentary about film preservation, they may be unaware that some classics are being preserved one floor above their heads.

In a locked room kept at a chilly 62 degrees are reels of more than 500 films, mostly 16mm, said Brian Hearn, film curator.

The museum is one of less than 10 institutions nationwide that houses such an archive, including the Library of Congress, New York’s Museum of Modern Art and the Academy of Motion Picture Arts & Sciences.

That OKCMOA is among them is entirely accidental, Hearn said.

“It was not part of the plan,” he said, when the museum moved from the state fairgrounds in 2002. But a call from University of Central Oklahoma professor John Springer changed all that: a custodian found 180 films in a closet and was taking them to the Dumpster, which Hearn was “absolutely mortified” to hear.

One impromptu mission later, he said OKCMOA staffers were “stunned” at what they had rescued: works by some of world cinema’s most lauded directors: D.W. Griffith, Akira Kurosawa, Ingmar Bergman, Jean Renoir, Federico Fellini.

More acquisitions followed, including the classics “The Maltese Falcon,” “King Kong,” “Dr. Strangelove,” “It Happened One Night” and “High Noon,” plus Thomas Edison shorts and Max Flesicher cartoons starring Superman, Popeye and Betty Boop. The shelves sport their share of oddities, such as “Twilight Zone” episodes, the “Bambi Meets Godzilla” short and something called “Hank the Cave Peanut.” Whatever the title, it’s all important.

“We treat this just as we would our art collection,” Hearn said. “It’s a very eclectic collection. It’s literally an international collection, but its strength is American history.”

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close