Friday 25 Jul

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0


William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
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Reel secret

OKCMOA among a select group of institutions with a 16mm film archive

Rod Lott June 1st, 2011

This weekend, as Oklahoma City Museum of Art patrons watch “These Amazing Shadows,” a documentary about film preservation, they may be unaware that some classics are being preserved one floor above their heads.

In a locked room kept at a chilly 62 degrees are reels of more than 500 films, mostly 16mm, said Brian Hearn, film curator.

The museum is one of less than 10 institutions nationwide that houses such an archive, including the Library of Congress, New York’s Museum of Modern Art and the Academy of Motion Picture Arts & Sciences.

That OKCMOA is among them is entirely accidental, Hearn said.

“It was not part of the plan,” he said, when the museum moved from the state fairgrounds in 2002. But a call from University of Central Oklahoma professor John Springer changed all that: a custodian found 180 films in a closet and was taking them to the Dumpster, which Hearn was “absolutely mortified” to hear.

One impromptu mission later, he said OKCMOA staffers were “stunned” at what they had rescued: works by some of world cinema’s most lauded directors: D.W. Griffith, Akira Kurosawa, Ingmar Bergman, Jean Renoir, Federico Fellini.

More acquisitions followed, including the classics “The Maltese Falcon,” “King Kong,” “Dr. Strangelove,” “It Happened One Night” and “High Noon,” plus Thomas Edison shorts and Max Flesicher cartoons starring Superman, Popeye and Betty Boop. The shelves sport their share of oddities, such as “Twilight Zone” episodes, the “Bambi Meets Godzilla” short and something called “Hank the Cave Peanut.” Whatever the title, it’s all important.

“We treat this just as we would our art collection,” Hearn said. “It’s a very eclectic collection. It’s literally an international collection, but its strength is American history.”

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