Tuesday 29 Jul
 
 

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0

Mack truckin’

Swizzymack
9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 
lndrnrs.com 
819-6004 
$10-$15 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Pop · Suzanna Choffel — Steady Eye...
Pop
 

Suzanna Choffel — Steady Eye Shaky Bow


Sultry singer/songwriter tunes with some high highs

Stephen Carradini June 8th, 2011

Singer/songwriter Suzanna Choffel sounds best when she’s feeling sinister.

suzannachoffel

The tracks on “Steady Eye Shaky Bow” that catch attention have a sultry, dangerous vibe about them; the tracks that don’t work sound like average jazz standards.

Choffel kicks off her latest album with “Archer,” from which the album takes its title. The jagged rhythms and herky-jerky propulsion of the verses are met by a low, smooth chorus; she connects the parts by applying her come-hither alto to both. Her controlled but powerful performance is an immediate attention-grabber.

She follows with “Raincloud,” which features a few less jagged edges, but a whole lot more attitude in the horn-packed arrangement and a brash vocal performance. There’s still an edge, and it’s the undercurrent that keeps things fresh.

“So the Story Goes” is the first of the forgettable tracks; it’s nice, but who wants to be remembered as pleasant when “dangerous/fascinating” is on the table? “Animal” redeems the former track by investing a similar pleasant acoustic backdrop with a powerful vocal performance of an excellent melody and lyric (“You’re a liar / And that’s what kind of animal you are / You are, you are!” — ouch).

But the highlight of the whole shebang is “Stumble,” which turns toward Portishead-style trip-hop as a vehicle for Choffel’s pipes. Mildly distorting the vocals only makes the song all the more haunting (and brilliant).

The back half of the album isn’t as interesting; “Hold of the Night” tries to appropriate the earlier fire, but it’s not there in her voice. “Racecar” is solid, but the melody isn’t as memorable, and the vibe not as fine-tuned. The spare acoustic closer “Come Clean” is one of her only moments of effective vulnerability, but it makes for a nice conclusion to the album.

The high points of “Steady Eye Shaky Bow” are so high that they make the low ones stick out badly. Ignore the chaff and enjoy the excellent, sultry tunes. —Stephen Carradini
 
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