Wednesday 30 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Indie · The Antlers — Burst Apart

The Antlers — Burst Apart

A baby-makin’ record about not baby-makin’.

Stephen Carradini June 9th, 2011

“Burst Apart” by The Antlers is a baby-makin’ record about not baby-makin’.


This set of dreamy slow jamz from a trio of indie-fied white dudes starts with the bluntly titled “I Don’t Want Love” and ends with “Putting the Dog to Sleep”; in between, we’re treated to tunes named “Every Night My Teeth Are Falling Out” and “Hounds.” Peter Silberman’s got sex on the mind, but it seems he’s not gettin’ any.

His loss is listeners’ gain, however. “Burst Apart” assimilates the best elements of pent-up sexual frustration and few of its downsides into sublime songs. This is most evident on “Putting the Dog to Sleep,” the nearly six-minute closer that pulls doo-wop influences into its mix unironically.

The smooth mood and shimmering guitars that otherwise characterize the album are traded here for distant, stabbed chords strung together by Silberman’s tenor voice wringing every ounce out of the phrase “Prove to me / I’m not gonna die alone.” Sounds maudlin at first blow, but there’s a twist: “You said, ‘I can’t prove to you / You’re not gonna die alone / But trust me to take you home / And clean up that blood all over your paws.’”

The song is in a 6/8 time signature and retains the slow-jam quality of the rest of the disc, making it a perfect slow-dance for the couple that’s realistic about the fact that love is just ridiculously difficult a good portion of the time.

While “Putting the Dog to Sleep” will have you mashing the repeat button, other tunes are just as worthy in different ways. “No Widows” adds a prominent percussion section to the dreamy keys and synths, making for a unique vibe. “Every Night My Teeth Are Falling Out” is a barn-burner that peps up the proceedings and lets Silberman yelp out the title in a completely satisfying way. Fans of The National or The Walkmen will love this record, but they will find the quiet, dignified “Corsicana” a highlight.

“Burst Apart” is a beautiful collection of tunes that has been growing on me since first listen. The minor complaints I had at the beginning (very similar sound throughout, the occasionally maudlin lyrics) have been subsumed into my growing appreciation for the work as a whole (beautiful) unit. I’ll be revisiting both the disc and “Putting the Dog to Sleep” when it’s time to make best-of lists.

You can check them out tonight in Tulsa at The Marquee, 222 N. Main, with Little Scream, whom I can also highly recommend. —Stephen Carradini
  • Currently 3.5/5 Stars.
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