Saturday 25 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Ryan's hope


Those songs that put local rocker Ryan Lindsey on the map? He doesn’t play those anymore, so he made some new ones instead.

Becky Carman June 15th, 2011  

Ryan Lindsey with OK Sweetheart
8 p.m. Tuesday
Opolis, 113 n. Crawford, Norman
Opolis.org, 820-0951
$8-$10

Ryan Lindsey hasn’t been himself for almost two years.

The local musician and songwriter has kept busy in the interim — jaunts with Starlight Mints and poppunk band Broncho have more than helped him fill the hours — but it’s apparently high time for an accidental and slightly premature comeback.

“I’ve been working on my new record and thinking about doing some really stripped-down shows,” Lindsey said.

When friend and former bandmate Beau Jennings approached Lindsey about opening a series of shows for him, Lindsey took the bait.

“It just made sense. I put together a set, and after that, I’ve said ‘yes’ to other offers I would have normally turned down,” Lindsey said. “I’m saying ‘yes’ because I have some songs together that I feel comfortable playing live.”

For fans of Broncho’s raucous shows and listeners of Lindsey’s first album, 2006’s “White Paper Beds,” this is a welcome announcement, despite drastic differences in sound and staging. Gone are the loop pedal, piano and full-band accompaniment that marked many previous performances. Also gone, at least for the time being, are the songs fans are used to hearing. Although tracks like the standalone single, “Let’s Go Out,” found commercial success from use in advertisements, television shows and film soundtracks, don’t expect to hear them onstage anytime soon.

“Those songs made it hard to play just a guitar live,” Lindsey said. “I have a new record, and with these songs, it’s easier to pick up a guitar and convey the general idea.”

With that in mind, recent shows like Tuesday’s at Opolis, include only Lindsey, a microphone and an acoustic guitar.

“I knew the shows with Beau would be quiet environments, and that guitar setup worked great, so when I played (Norman Music Festival), I did the same thing,” he said. “But it’s a festival, and people were loud. I just closed my eyes and tried to get through it. It was awkward.”

Fitting, since awkward humor is part of Lindsey’s shtick, both onstage and off. His self-deprecating and

attentive crowd interaction is the one constant of his shows, despite that much of his new material is more somber and certainly slower than previous work.

“I feel like that makes it easier to be funny. I can relax and be calm, and it makes it easier to talk to people,” he said. “For a while with Broncho, it was hard to talk to people because the energy is so different, but between those songs, I still try to make a connection with the crowd.”

However Lindsey’s new material is received, it’s best that listeners don’t get too anxious. His sophomore album is, as of yet, unfinished, although he said things are progressing quickly on this leg of the production process.

“I already had an entire record, but I felt weird about it,” he said. “It didn’t make sense the way I thought it was going to make sense in my head ... so I cut half the record — it felt like a different album — and started writing new songs that made sense with the other half. I’m in a better place.”

With that record on the horizon and a full-length Broncho album nearing official release as well, Lindsey’s plate is full and his future bright, if still a little uncertain.

“I have a lot of material I’m just ready to get out there,” Lindsey said. “I have a goal somewhere in mind, but I live my life without a direct plan. Things change so much. It makes more sense for me to do what I’m doing and see what comes out of it. I’m all right with it. I make sense of it, at least. I’m happy.”

 
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