Wednesday 23 Apr

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
Home · Articles · Music · Music · Canadian independence

Canadian independence

With Cross Canadian Ragweed on a break, Cody Canada is free to pursue music paying tribute to the sounds that inspired him.

Joshua Boydston June 22nd, 2011

Cody Canada & The Departed
8 p.m. Wednesday
Wormy Dog Saloon, 311 E. Sheridan, 601-6276

With Cody Canada’s name now on the marquee, one might think it would put more pressure on the leader of reddirt favorite Cross Canadian Ragweed, which went on indefinite hiatus. Instead, it’s been quite the opposite.

“There’s a lot more freedom. I’m not singing all the songs, and I’m not playing on the leads. It’s really been liberating,” said the singer and guitarist, now performing with The Departed. “There’s more writers, more singers, more solos ... I can kind of spread the wealth around. Everybody that’s come out has realized it’s a band, and that it’s a band effort.”

It’s done more than just liberate the Yukon native. Canada — along with CCR and current bandmate Jeremy Plato — long desired to make a record that paid tribute to all those who have inspired him.

“I’ve been wanting to do this for a long time, but just never got around to it, because there were arguments within Ragweed and through labels about it. It’s a roots record, and we had the vehicle to do it finally,” Canada said. “It’s been a good thing, a sort of courtship record for us as a new band. Now that Jeremy and I have the reins, we figured, ‘To hell with all of that. We are going to pay tribute to these people who shaped us as musicians and people.’ It’s something that needed to be done. To me, there needed to be a whole record. They deserved it.”

At 15 tracks, “This Is Indian Land” is the result of a lifetime of work and inspiration. In it, Canada and The Departed cover Oklahoma acts big (Leon Russell, JJ Cale) and smaller (Greg Jacobs, Randy Crouch). Canada likes to describe it as a “buffet of really kick-ass Okie songs,” and he had no shortage of material from which to choose.

“It’s always impressed me ... people from Garth Brooks to The Flaming Lips. There’s such a big difference in music even with all of us all being from the same, relatively small area,” he said. “Picking the songs for this record was easy; the hard part was trimming them down. This could have easily been a 30-, 35-song album.”

He hopes it will lead his and CCR fans to pick up the music that helped them formulate, record and inspire their own.

“I wanted people that were fans of my music to know where I came from, to become fans of their music,” Canada said.

Released June 21, the disc also was meant to serve as a hearty “thank you” to the bevy of country and folk singers who helped him achieve success; they’ve heard the message loud and clear.

“Seeing the look on the writers’ faces and hearing the singers on my voicemail saying they were happy we did it, that really is a reward,” Canada said. “I’ve never been cocky about writing songs, but I know that I can do that because of these people, and it’s nice to give back in some little way. That’s all they need, knowing their friends love them.”

Although now based in Texas, he still feels the love for his home state and all the musicians there who helped lead him to where he is now. Canada appears unwilling to forget that.

“The thing I’m most proud of, as far as being an Oklahoma musician, is my friends surrounding me. That’s the first thing I noticed when I went to Stillwater, that there was no one there trying to hold you down, only trying to help you out,” he said. “We’ve been down here for 10 years, and Texas has those people, too, but it just seems like Oklahoma has it just a little bit more, like they invented it.”

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