Wednesday 30 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Rock · Kill the Reflection — 3EP

Kill the Reflection — 3EP

Post-punk with promise and room to grow

Stephen Carradini June 29th, 2011

At its best, Kill the Reflection’s dark, fast music leans toward Joy Division-esque post-punk.

On the group’s “3ep,” the standout “Cold” calls for the vocalist to deliver his notes in a low, forceful way that aspires toward the dominating control of Ian Curtis. The Oklahoma City-based three-piece musically churns behind him, channeling the energy of punk (especially in the drums) through tight, restrained rhythms. The tension of vocals versus instrumental energy (and, within that, drums versus guitars) make for a great track.

The rest of the songs don’t capture that tension quite as well, but succeed on lesser levels. “Hold Captive” has another worthy vocal performance, while the underlying distorted guitar drone robs the guitar/drums tension. The drum parts in the verses of “Broken” give a nod to the trip-hop that Kill the Reflection formerly purveyed as a duo (it’s recently expanded to a trio), while the chorus transforms it into a standard rock song.

Kill the Reflection has a lot of room to grow as it figures out its sound, but “Cold” shows that there is great promise for the future. —Stephen Carradini

  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5