Monday 28 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · Zombieland


Music, movies, comics — they’re all part of Rob Zombie’s ever-rocking world.

Joshua Boydston July 13th, 2011

Hot As Hell Music Festival featuring Rob Zombie, Five Finger Death Punch, Sevendust and more
Noon-11 p.m. Sunday
Brady Village, Cameron Street and Boulder Avenue, Tulsa 866-977-6849

Rob Zombie wears many hats: metal icon, horror-film auteur, comic-book scribe and ... laundry detergent commercial director?

“I was not thinking about doing TV commercials. I was intrigued, but didn’t feel like pitching myself,” he said of the new spot he shot for Woolite, through the lens of his scary screen work. “An ad agency working with them wanted me specifically and gave me a storyboard. I added a few of my flourishes, and there you go. Sometimes the phone rings, and you get strange requests.”

A master of all things dark, devilish and demented, Zombie doesn’t shy away from strange, whether in lauded albums like “Hellbilly Deluxe,” movies like “The Devil’s Rejects” and comics like “The Haunted World of El Superbeasto” and “What Happened to Baron Von Shock?” He wears all these hats well, and his endless slate of projects is dictated by ardent scheduling to ensure quality.

“It’s hard to split attention sometimes, because it requires such different things from you,” Zombie said. “Just where you might start to feel a little burned-out, you jump into another project. I’m just finishing up two years of touring, but I’m about to start a movie that will keep me wrapped up.”

Housing a horror-movie collection that would fill several New York City studio apartments, his fondness for all things spooky might be best analyzed through his films, including “Halloween II” and his upcoming, witchy “The Lords of Salem.”

“The situation under which I’m making the film has me excited. One of the stipulations in my contract is total control and final cut, and that’s important because in the past — let’s say the last two films — you feel like the best version of the movie never made it to the theaters,” he said. “You might get the director’s cut on DVD, but that’s not the movie-theater experience. This time, I’m hoping this will solve that problem.”

Although his experience in music has some obvious benefits (he supervises the music of all his films), there are more unexpected and important implications, like knowing exactly what people want to see and hear. Touring is the key to that discovery, which is why he still approaches music with the same vigor.

The music isn’t about helping his film career, and never has been. Zombie said to expect a significant break following this current tour — including Sunday’s show in Tulsa — but you can expect a lifetime of opportunities to catch him again, because he likely won’t ever go away.

“The one thing that keeps me coming back is just playing in a band. It’s what I always wanted to do,” he said. “It’s playing live, and I don’t know how anyone could walk away from it.”

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