Wednesday 30 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Hip Hop/Rap · Theophilus London —...
Hip Hop/Rap

Theophilus London — Timez Are Weird These Days

He’s a long way from the next Kanye.

Matt Carney July 27th, 2011

Judging by the ads Warner Bros. Records is running on Pitchfork, the lack of coverage in more conventional rap and hip-hop media outlets, and hired-gun producer Dan Carey’s résumé (Hot Chip, M.I.A., La Roux), the juggernaut label is marketing Theophilus London’s debut LP, “Timez Are Weird These Days,” toward hipsters instead of a more conventional hip-hop audience.


Nothing out of the ordinary with that, but it oughta tell you that if you’re looking for a true spitter, then look elsewhere. From get-go track “Last Name London,” the Brooklyn rapper(ish) makes it clear that he’s aiming for modern pop-star status. I offer the following as evidence:

• the Kanye West “Lost in the World” low-end sample that drives “Last Name London” along;

• the airy, vocal arrangements (again, inspired by Kanye) that follow it; and

• his use of worn-out pop tropes such as the introduction song (“Last Name London”), road tune (“All Around The World,”), mid-track phone call (“Stop It”) and use of the phrase “speed of light” (“Wine and Chocolates”).

Midway through the third track, “Wine and Chocolates,” I realized Mr. London’s voice bears great resemblance to that of TV on the Radio frontman Tunde Adebimpe (he doesn’t do nearly as much with tone or timbre, though), shortly before realizing that the song itself is really just a few verses’ worth of interesting lyrics short of a TVOTR song. In fact, with some twitchier synths, a fully developed funk-guitar riff and a kick drum that hit with full force, “Wine and Chocolates” might actually just be “Crying,” the second track on “Dear Science.” Turns out TVOTR’s Dave Sitek worked with London on his “Lovers Holiday” EP. At least he’s borrowing from talented musicians, I guess.

The album really loses its steam midway through single “Why Even Try,” which cartoonishly inflates the bassline and R&B female-sung hook from Notorious B.I.G.’s “Juicy,” inverting the original song’s tale of aspiration to cries of “If you think you’re special, you’re probably not.” How’s that for depressing?

Timez Are Weird These Days” is a whole lot of slick, digital production, but light on soul. When he’s at his swagging-est (“Girls Girls $”), London’s only a fraction of what Kanye’s built. At least he’s got his sights set high. —Matt Carney

  • Currently 3.5/5 Stars.
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07.27.2011 at 03:17 Reply

Little harsh.  People like TL.  Just listened Juicy and Why Even Try back to back, and I really don't know where you get that comparison. 

There are other ways to write music criticism - it mostly comes down to avoiding the muscians in your audience from wanting to say "can't wait for the next Matt Carney album."