Wednesday 23 Apr
 
 

Norman rock well

Norman Music Festival

6 p.m.-2 a.m. Thursday, 3:30 p.m.-2 a.m. Friday and noon-2 a.m. Saturday

Downtown Norman

normanmusicfestival.com

Free

04/23/2014 | Comments 0

Grouplovin’ it

Grouplove with MS MR and Smallpools

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$22-$24

04/23/2014 | Comments 0

Hear and now

Hear the Music Tour with The Warren Brothers and Lance Miller

6-10 p.m. Friday

Rodeo Opry

2221 Exchange Ave.

songsforsound.com

$35-$50

04/22/2014 | Comments 0

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0
Home · Articles · CDs · Indie · Small Sur — Tones
Indie
 

Small Sur — Tones


Doing more with less.

Matt Carney August 8th, 2011

Baltimore, Md. is so very rich with quality music right now. Bands like Beach House, Wye Oak and Animal Collective (AC relocated to NYC, but some of their first media coverage came from Baltimore City Paper) have established themselves as national-caliber indie acts with large-scale sounds to boot.

smallsurtones

Small Sur sounds nothing like any of these bands. Literally, nothing. They’ll probably never achieve the same level of notoriety, which is very sad. They’ve recorded the most beautiful, lovely slowcore folk music these ears have ever heard, but unfortunately, that particular sub-genre isn’t in high demand among audiences much larger than what could fill an upscale living room.

Tones” is as lovely an exercise in hushed, sparse production and small-detail storytelling as you’ll find these days. Each song sets an intimate scene that would belong at home in a literary novel. “Meet me under trees / Golden canopy,” Bob Keal whispers amid his and Andy Abelow’s rich guitar and horn arrangements. “How I Love You” tells a grown-up romance in as few words as “babies teething.”

Keal’s songwriting comes through in traditional poetic devices, most typified in “Three Haiku,” a sad, autumn plodder that features a flute and the lyrics “I cannot find you.” True to its title, the album sets a tone and allows the listener room to imagine his or her own story within it.

Doing more with less. Few are telling more developed, personal and intimate stories than Small Sur are right now. —Matt Carney

 
  • Currently 3.5/5 Stars.
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