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Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Music

Soundcheck: Klipspringer, 'The Trouble with Sebastian'


Sophomoric humor and guitar rock? Yes, please.

Matt Carney August 10th, 2011  

Norman’s Klipspringer might just be the most lyrically consistent band in the history of music in this state.

Words about a girlfriend who “likes to play chess in her birthday suit” belong most anywhere in its discography, from 1996’s “The Mind of Mandy Moon” (where the line resides within the delightfully raunchy “She Likes That Shit”) to “The Trouble with Sebastian,” the pop-rock quartet’s seventh album, which it digitally released July 26 through Bandcamp.com.

Now a decade and a half since “Mandy Moon,” Klipspringer’s preserved the tradition of Oklahoma power-pop (à la Dwight Tilley, The Fellowship Students and The All-American Rejects), although still infused with its signature sophomoric charm and spurts of frustrated punk. Except for last track “A-OK Big Funtime Dancing,” a catchy house dance tune that just sort of hits you without warning, that is.

“The Trouble with Sebastian” paces nicely in 10 songs, from the very Bruce Springsteen-ish anthemics of “Make the Suburbs Glow” to the raw, soft-punk guitar power in the cheeky, self-referential track “Klipspringer” (“thanks for buying our T-shirt”) and grungier, more aggressive “Don’t Touch Me.”

The group sounds very much like one that grew up on The Police, and the same band that recorded “Hottest Girl on My Block” in 2007 (a “12” Dance Remix” appears here), a hilarious, Fountains of Wayne-type ode to ... well, yeah — you’re smart enough to figure that one out. —Matt Carney

 
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