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The Burning

It speaks to the strength of The Burning’s reputation among cult-film fans that what’s most memorable about the 1981 slasher is not that it was written by the Weinstein brothers, nor that it represents early appearances of the likes of Jason Alexander, Holly Hunter and Fisher Stevens. It’s that its Cropsy is just a damned good villain.
05/24/2013 | Comments 0

Dexter: The Seventh Season

There's no way to discuss the seventh and penultimate season of Showtime's hit Dexter without acknowledging how the previous year ended. Therefore, if you haven't finished the sixth season, stop reading now. You've got work to do.
05/21/2013 | Comments 0

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0
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Science Fiction

Rise of the Planet of the Apes


Chimps ahoy!

Rod Lott August 10th, 2011

Say what you will about Tim Burton’s widely despised 2001 remake of “Planet of the Apes,” but if it hadn't made serious bank, this prequel would not exist.

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And that would be a bad thing, because “Rise of the Planet of the Apes” hoses off any stink Burton left behind. It’s one of the year’s nicest surprises.

An origin story to the sci-fi franchise that began on the big screen in 1968, “Rise” draws upon story elements of 1972’s “Conquest of the Planet of the Apes” (entry No. 4 for those as geeky as I), depicting how the baby monkey dubbed Caesar came to unite all gorillas, chimps and orangutans to overthrow the humans who have oppressed them.

It’s the fault, if unintended, of a scientist (James Franco, “127 Hours”) just trying to cure the Alzheimer’s eating away at the memories of his father (John Lithgow, TV’s “Dexter”). Science has to test on animals first for safety, and Caesar is the guinea pig — er, monkey — who experiences remarkable intelligence.
Too much brilliance, eventually leading to “Rise”’s bravura climax, an extended sequence in which Caesar’s assembled armies invade San Francisco by way of the Golden Gate Bridge. Director Rupert Wyatt (“The Escapist”) stages this with pulse-raising tension, made possible by incredible special effects. The apes you see raising Cain are CGI, with the most remarkable being Caesar, in a startling motion-capture performance by Andy Serkis (“King Kong”). 

Consider how far the series has come: The original film earned an Oscar for its breakthrough makeup that turned men into monkeys. Now, no simian suits are needed, letting computers do the work. It’s the appeal of the “Apes” concept that stays unchanged.
 
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