Wednesday 19 Jun
 
 

The Last Exorcism Part II

Unlike many moviegoers, 17-year-old farm girl Nell Sweetzer (Ashley Bell, The Day) has no memory of the events of The Last Exorcism, a found-footage smash of three years prior. The Last Exorcism Part II finds her taking steps to build life anew, beginning in a boarding house for troubled girls, where the deeply devout Nell is exposed to such heretofore corrupting influences as lipstick and rock music and YouTube and cotton candy.
06/19/2013 | Comments 0

The ABCs of Death

Suspense novelist Jeffery Deaver once praised the short-story format, writing that the minimal time investment on the part of the reader allows the writer to get away with endings he or she cannot in the long form. In other words, the writer can be meaner, more devious. He's absolutely right, and the theory applies wholesale to The ABCs of Death, more or less a horror anthology depicting "26 ways to die."
06/19/2013 | Comments 0

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0
Home · Articles · Movies · Science Fiction · Another Earth
Science Fiction

Another Earth


Out of orbit.

Phil Bacharach August 17th, 2011  

You’ve got to admire the DIY ethic of “Another Earth.” Raw and grainy, it is steadfastly committed to its own smarts and vision — even if it ultimately falls short of its ambitions.

Relative newcomer Brit Marling, who co-wrote and co-produced the picture, portrays Rhoda, an intelligent young woman with a scholarship to MIT and plans to become an astrophysicist. Those dreams disappear in an instant, however, when she causes a car accident that kills a woman and her small child.

That wreck leaves a grieving husband and father, John (William Mapother, TV’s “Lost”), who spirals into an existence of isolation and depression. Rhoda goes to prison for four years. Upon her release, she seeks out John to apologize, but loses her nerve and pretends to be from a maid service. Through a tortured contrivance, she winds up working for John, cleaning up the mess she has literally made of his life.

Looming over the story, literally and figuratively, is another planet that is evidently an alternate Earth. Rhoda, eager to escape her crushing guilt, hopes to win a space trip to what is known as Earth 2.

The movie, which opens Friday, doesn’t explain the sudden appearance of this wannabe Earth. That’s an understandable omission given the concept’s scientific absurdity, but “Another Earth” has plenty of more significant problems, from a ponderous pace to heavy-handed script.

Still, director Mike Cahill somehow stitches these failings into a haunting and provocative work that lingers on the memory.

 
  • Currently 3.5/5 Stars.
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