Thursday 24 Apr
 
 

Sorcerer

William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0

No Holds Barred

RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
04/15/2014 | Comments 0
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Features
 

World on a Wire


The little-seen 'World on a Wire' was remade as 1999’s bomb 'The Thirteenth Floor,' starring Gretchen Mol, but don’t hold that against it.

Rod Lott August 24th, 2011

Friday-Saturday

From “The Matrix” to “Inception” to “Source Code,” the concept of a constructed reality is a popular trope in today’s science-fiction films, but you’ve never seen it tackled as it is in “World on a Wire.” In fact, few have.

“No one’s actually seen this before in the United States,” said Brian Belovarac of Janus Films, the New York-based distributor of the 1973 German title playing at 7 p.m. Friday and Saturday at the Oklahoma City Museum of Art, 415 Couch.

Made as a miniseries by director Rainer Werner Fassbinder (“The Marriage of Maria Braun”), “World” received scant rebroadcast in its homeland, and legal issues kept it from being exported to our shores. According to Belovarac, it’s never been shown in the U.S. theatrically or on television, with the exception of one 1977 retrospective screening at the Museum of Modern Art, “from a ratty, incredibly beat-up print.”

In 2009, however, the trippy crime tale underwent an extensive renovation, resulting in a work that he said “looks fantastic. It’s just gorgeous.”

OKCMOA audiences will see it unspool in 35mm, which Belovarac deemed “an incredible opportunity,” so worry not about its 212-minute running time.

“First of all, there’s an intermission,” he said. “The story moves very, very fast. If people can put up with three hours of ‘Avatar’ or ‘Harry Potter’ … running times are so bloated these days for features that are maybe 20 percent as good as this.”

Tickets are $8. For more information, call 236-3100 or visit okcmoa.com.

 
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