Wednesday 16 Apr

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Home · Articles · Music · Music · Musical entity

Musical entity

As their band name suggests, Norman post-rockers Gentle Ghost play aggressive music that’s unsettling, yet far from menacing.

Matt Carney November 30th, 2011

Gentle Ghost with Chris Bathgate and Riley Jantzen & The Spirits
The Deli
309 White, Norman

Amid Gentle Ghost’s signature jarring, distorted, three-guitar assault, singer Seth McCarroll has to work extra hard to keep from getting drowned out.

His close attention to storytelling detail and occasional bouts of shouting creates an aggressive tension with the Norman post-rock band’s especially loud style, which mimics some of the destructive domestic themes explored in its 2010 album, “Family.”

“He’s one of my favorite songwriters,” guitarist Brady Smith (pictured, right) said. “He’s great at creating a very illustrated story with the words, and drawing from things that aren’t obvious. Expressing feelings and emotions by describing something, instead of saying, ‘I feel this way’ or ‘You broke my heart.’” He compared McCarroll’s (pictured) talents to songwriters like Conor Oberst and Tim Kasher, best known for his work with the group Cursive.

“He’s very perceptive to harsh details and stuff that grabs your attention,” Smith said.

Like the album title, the six-piece (which includes Scott Harper and brothers Adam and Tyler Huskerson) is a close bunch, for whom friendship comes first. They write, practice and record as time allows and play shows without regular frequency.

Saturday night’s set at The Deli, with local Riley Jantzen and Michigan’s Chris Bathgate, will be their first since September’s Deep Deuce Music Festival, where they played new songs with faster tempos and ominous, samples from podcasts about paranormal activity.

“We really wanted something to tie our songs together. We’re just playing rock songs, but we also want this sense of drama,” Smith said. “So to be able to tie those together thematically — and not in a way that instrumental bands do like Explosions [in the Sky], where it’s 52 minutes of nonstop playing. We’re just trying to get from point A to D, and have it feel like a really smooth process. So while we’re tuning or something, people can listen to this crazy, theoretical nonsense about UFOs. And you don’t really know what it’s about.”

The effect is challenging — like the best post-rock music — and a little unsettling, like you’ve returned home to find your stuff rearranged. Perhaps by some friendly apparition, suggested by the band’s name?

Smith said they plan to release a 7-inch recording in the near future, and that six new songs are in the final tweaking phase (“Just a couple more bolts and screws tightened”) and three more are under heavier construction.

“We keep in mind that when we play this stuff live, we don’t want it to be boring,” Smith said. “We’ve got three guitars, so we’re always trying to find out how to avoid playing just chords all the time.”

Photo by Matt Carney

Listen to "Family" at Gentle Ghost's Bandcamp page.

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