“We think about it as a team,” she said. “Watching so many bands for so long and standing in the audience, I was like, ‘I want to try that.’ After playing by yourself for so many years and seeing what level you can reach with so many musicians coming in, you pretty much have to.
Local psych-rock outfit Horse Thief’s first album, “Grow Deep, Grow
Wild,” blasts open with a Gothic church organ undercut by some very
subtle guitar scratching for texture.
Singer and ACM@UCO student Cameron Neal’s voice soon joins the mix, completing the band’s go-to sound as some bizarre, wonderful, northwest-by-way-of-The Cure alt-rock act.
But if bands like Fleet Foxes and Blitzen Trapper write tunes that qualify as pastoral, then Horse Thief’s are best described as primal, full of lurking beasts and dark forests, as literal as they are metaphoric.
The group doesn’t shy away from writing long, murky songs that avoid easy classification. “Colors,” the aforementioned first track, is the longest, ringing up just shy of seven minutes’ worth of synth and vocal melodies buried within dense layers of organ and guitar. One moment, Neal’s mumbling about people not understanding him; the next, he’s singing about the sky, full-throated and languorous like Robert Smith.
It’s an awesome track, and the album’s remaining nine follow a similar blueprint, ranging from the marching dirge “Ann Walter” to a song about being a bear (“I Am the Bear”) a more subdued number about being a magician, titled — wait for it — “I Am the Magician.”
The latter two serve as great metaphors, but with such freaky music, one has to consider if Horse Thief really is a band of odd creatures. —Matt Carney