Sunday 26 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Jackpot jukebox


Luck be a lady ... or a lad, providing live entertainment for the high rollers of our state casinos.

Charles Martin January 4th, 2012  

Although Oklahoma is not quite Las Vegas — or even Reno, Nev. — where performers enjoy lucrative careers with million-dollar contracts, plenty of state casinos help musicians carve out a living.

“It amazes me just how many people are still into Elvis,” said Mike Black, an Elvis Presley impersonator.

Black has donned the ’70s-era Elvis wardrobe for years, crooning for poker players as a side gig to his band, Mike Black and the Stingrays.

“It’s not just the old people, but also the younger people,” he said. “I’ve had teenagers come up and want to get their picture taken with Elvis and I’ve had people who are winning say, ‘Elvis, you’re bringing me luck! Keep singing.’” With Oklahoma’s thriving and competitive gaming industry, entertainment is one way for a casino to stand out in the pack. Brad Peltier, director of marketing and public relations for FireLake Grand Casino in Shawnee, has brought in performers like Black during special occasions, just to liven up the gaming tables and recreate Vegas’ glittery glamour.

Another casino veteran, magician and juggler Mike King, who has performed at Riverwind and FireLake, often can be found chatting up small groups while casually blowing minds with sleight-of-hand card tricks.

He said he takes his craft as seriously as any other career. “I’ve been performing for more than 20 years, and yet, I still consider myself to be a work in progress,” King said.

“As one may anticipate, the market for the kinds of shows I perform is slightly lower in Oklahoma City than other, larger cities like Chicago, Los Angeles or Manhattan. Based on conversations with entertainers in other cities, Oklahoma City is closer to the price range of Dallas, St. Louis and other markets closer to Oklahoma City.”
 
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