Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Revolt!-ing


Looking for a casual, quiet evening out? Then don’t go see fluorescent dance-pop act Terror Pigeon Dance Revolt!

Matt Carney February 8th, 2012  

Terror Pigeon Dance Revolt! with Balthazar, Jabee and Little Ruckus
9 p.m. Thursday
Kamp’s Deli & XIII X Lounge

1310 N.W. 25th
kampsok.com
819-6004
$7

“Fuck, yeah, we’re garish!” Terror Pigeon Dance Revolt! singer Neil Fridd shouted on the phone, from somewhere in Minnesota.

If nothing else, the man’s concise. “There are a million bands I can go see. We’re gonna do the opposite of that,” he said. “It’s only garish because there’s a ton of really boring bands.”

“Overt” and “absurd” also come to mind when trying to describe his act, whose inside-joke-stuffed LP, “thank you!,” came out last spring, about a year after its 2010 debut, “I Love You! I Love You! I Love You and I’m in Love with You! Have an Awesome Day! Have the Best Day of Your Life!” The lurid art accompanying its albums and websites suggests that a 14-year-old in the late ’90s designed it using GeoCities, and there are about eight more musicians contributing to any given song than necessary.

So why should anyone see the group Thursday night at Kamp’s? Because Terror Pigeon Dance Revolt! is the sonic equivalent of enthusiasm. Its songs bounce with catchy piano melodies and pulsing dance beats that are very different from Fridd’s initial aims for making music.

“I wanted to make music like DJ Shadow,” he said.

His easily accessible, irresistibly charming and terrifically offbeat songs work hard to make listeners feel better.

“We feel very kindred to a lot of bands that have a super-high energy and participatory shows,” Fridd said.

In that sense, Terror Pigeon is not unlike our own Flaming Lips, often blurring the lines between band and audience by way of ridiculous costumes, mid-show games, body paint and who knows what else.

Signed to David Byrne’s eclectic world-pop record label, Luaka Bop, Fridd said he has yet to meet the legendary former Talking Heads leader.

“I stood him up at a duck dinner once,” Fridd said. “It was a going-away party for this lady named Tara, and I showed up really late. They were like, ‘Sorry, dude. David left already.’” Nonetheless, Fridd said it was an honor to be on Byrne’s label.

“I almost feel like not elaborating, cause — duh — it rules,” he said. “They encourage me to make the best possible music I can make.”


Photo by Michael Pugliese
 
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