Sunday 19 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Swing sets


Kick back. Relax. Let the city’s next generation of lounge singers set the mood for the moment.

Joshua Boydston March 21st, 2012

Lounge music never dies. The bad haircuts and cheesy outfits may have, but a new generation of performers in the metro still swing with a thoughtfulness and individuality that made crooners the toast of the town in the Rat Pack era.

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Looking more like a folk troubadour, Dustin Prinz doesn’t fit the stereotype of a lounge performer. But his guitar skills, ability to adapt to the crowd, and litany of original ballads and unique covers — from INXS to Bon Iver — has charmed many a restaurant, bar and lounge owner. He has standing gigs at Bin 73, Rococo, Jazmo’z Bourbon St. Café and the Courtside Club after Thunder games.

These types of gigs differ greatly from concerts, and Prinz feels he’s all the better for it.

“[People] aren’t there to necessarily listen to a musician,” he said. “I’ve built up thicker skin because of it; I don’t expect to get praise after every song. My job is to add to the atmosphere and play good background music.”

right Chrome Pony

Steven Battles better fits the bill of a lounge singer, with his slicked-back hair accenting his suit and skinny black tie, but his foray into it is less conventional.

Performing as Chrome Pony for a few years now, he’s become a local favorite for upbeat, electro-pop shows. But pining for something a little simpler on his schedule, Battles hatched the idea to morph last fall, playing his first lounge set at Picasso’s on Paseo.

He’s since found a regular gig doing said lounge set every Thursday night at McNellie’s in Norman, with hopes to expand to Oklahoma City and Tulsa.

“I’ve always been in love with that old lounge singer idea,” Battles said. “I just had to find a way to do a show for three hours. That’s a long time to do anything, especially play straight.”

He brings a vastly different energy to his lounge shows, tuning out electronics and synthesizers for a pure voice- and-guitar setup.

“I try to make it relaxing and bring my own lighting to set the mood,” he said. “It’s washy and dreamy.”
Still, it’s an odd dynamic. 

“If it’s a rowdy crowd, I’ll speed it up. If they’re quieter and talking among themselves, I’ll turn it down to more of a chill zone,” Prinz said. “It’s not a showcase; I’m not there to show off.”

Said Battles, “The key word is ‘atmosphere.’ I’m not trying to put on a show for you, I’m just singing songs that you can get into or not.”

 
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