Sunday 19 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Doobie Doobie do


Four decades strong, The Doobie Brothers are still ‘Takin’ It to the Streets.’

Joshua Boydston March 28th, 2012  

The Doobie Brothers
8 p.m. Friday
Riverwind Casino
1544 W. State Highway 9, Norman
riverwind.com
322-6000
$48-$58

Classic-rock legends The Doobie Brothers couldn’t have foreseen all the highs and lows when they formed four decades ago. The California-born group is responsible for some of the biggest hits of the ’70s, including “What a Fool Believes,” “Black Water,” “China Grove” and “Listen to the Music,” all while undergoing dramatic stylistic shifts and persistent personnel changes.

Michael McDonald took the reins in the mid-’70s, before the act temporarily disbanded the following decade.

The subsequent reunion and years since have brought back a handful of albums, successful tours and some heartbreak, like March 12’s passing of drummer Michael Hossack.

Still, The Doobie Brothers keep a level head.

“Nobody expected anything at anytime. We were taking it a day at a time. Still do,” guitarist and founding member Tom Johnston said. “We’ve been very fortunate all the way around.”

In some ways, the band feels like nothing has changed at all.

“We had a plane back in the ’70s — that’s about the only big difference,” Johnston said. “We keep as busy as we ever were. Every year, we are out, doing anywhere from 80 to 90 shows.”

According to him, the group has yet to phone it in, despite that longevity.

“The live show sounds better than ever,” Johnston said. “Everyone makes a point to be at the top of their game.”

The band’s latest album, 2010’s World Gone Crazy, was its first in a full decade. Even now, a year and a half removed from its release, Johnston and company are still buzzing with excitement and enthusiasm for the disc.

“This is the best album we’ve done since Stampede,” he said, comparing World to that 1975 smash. “Everyone walked out of the studio thinking, ‘Yeah, we did a great job.”

Currently, no plans for a follow-up exist, but Johnston doesn’t deny the possibility. For now, however, the bulk of the band’s energy is fixated on touring, with a co-headlining tour with Chicago coming up this summer.

“Playing live is always the best part for me, and always has been,” Johnston said. “Every show is different, even playing the same songs. The room is different, the crowd is different, so it’s always a challenge to get out there and get the people rocking.”

 
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