Wednesday 19 Jun
 
 

The ABCs of Death

Suspense novelist Jeffery Deaver once praised the short-story format, writing that the minimal time investment on the part of the reader allows the writer to get away with endings he or she cannot in the long form. In other words, the writer can be meaner, more devious. He's absolutely right, and the theory applies wholesale to The ABCs of Death, more or less a horror anthology depicting "26 ways to die."
06/19/2013 | Comments 0

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0

The Philadelphia Experiment

There's a theory about remakes that perhaps Hollywood should stop remaking good movies and instead remake the bad ones, so that they may be improved. The problem with that theory is one runs the risk of the remake being bad, too. Case in point: The Philadelphia Experiment.
06/12/2013 | Comments 0
Home · Articles · Movies · Action · The Raid: Redemption
Action

The Raid: Redemption


Up and at ’em!

Rod Lott April 11th, 2012

Fans of pure action cinema are apt to grow delirious with glee over The Raid: Redemption, an Indonesian crime thriller that relies so much upon the universal language of violence, one could enjoy it without subtitles.

theraid
Opening Friday in area theaters, the film carries the barest of plots. For 10 years, a much-feared mobster in a 15th-floor compound has ruled over a decrepit apartment building housing not only his narcotic enterprise, but also the dregs of society. Finally, the local SWAT team has garnered the guts to take it down, one ascending stairwell at a time – corner by corner, room by room, floor by floor.


The mission goes as planned until the fifth floor, when the proverbial crap hits the fan. From there, the team is forced to take routes unintended as they battle the den of thieves and junkies. Weapons employed on both sides include guns, knives, an ax, a machete and even a refrigerator.

And naturally, good ol’ fists and feet. This high-concept shot of adrenaline pays off the promise of writer/director Gareth Evans’ so-so 2009 chopsocky effort, Merantau, offering one inventive, powerhouse sequence of action acrobatics after another, with precious little breathing time left in between.

The downside is that it eventually exhausts the viewer; 89 minutes versus 101 would have been perfect, but Evans attempts to infuse a little brotherly love in Act 3 for added weight. The Raid doesn’t need it, because scenes of people plummeting from balconies is admission-worthy alone.

Hey! Read This:
Merantau DVD review


 
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