Monday 20 May
 
 

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0
Home · Articles · Movies · Action · The Avengers
Action

The Avengers


So many superheroes, so little satisfaction.

Rod Lott May 4th, 2012

I swear I’m not playing the contrarian card for the sake of doing so, but I disliked The Avengers — not with a passion, but mere disengagement. With the exception of Thor, I loved all the films leading up to this ultimate one, from 2008’s Iron Man to last summer’s Captain America: The First Avenger. I even entered this one carrying next-to-no expectations.

avengers

During its two hours and 22 minutes, plenty of time existed for it to grab my attention. That moment never arrived.

The major problems, as I see them:

It’s clearly overstuffed. Everyone complained when Batman and Spider-Man sequels stacked three villains against a single superhero. The Avengers gives us one main bad guy (albeit with minions and creatures), but seven heroes. Yes, everyone gets his or her turn, but for most, it’s just that — particularly in the case of Jeremy Renner (Mission: Impossible — Ghost Protocol), whose Hawkeye is pushed to the margins.

The villain is weak. One problem with Thor was a bland antagonist in Loki, played by Midnight in ParisTom Hiddleston. To draw a direct line from that movie to this one, he’s back, he’s bad ... and he’s still boring. And I never got a sense for who he is, in either film, other than he's sniveling, in a mustache-twirling manner. For a movie as massive as this, I feel like the villain should be iconic. Perhaps he is in Thor’s world, but he’s arguably among the least known with audiences.

• Joss Whedon was a poor choice to steer the ship. Beloved by Buffy fans, director/co-writer Whedon has made one feature film before this, 2005’s Serenity, a box-office flop but cult hit, based upon one of his short-lived TV shows, Firefly.

Although Serenity toils in the sci-fi genre as well, its scale was considerably smaller, and he is incapable of handling some — not all, but some — of the action scenes here, where the camera is so close, the editing so quick, you cannot tell what is going on. I think of the first scene of Scarlett Johansson’s Black Widow character, yet we didn’t have to decipher her moves in Iron Man 2. (One thing you won’t have to decipher? The performance of Cobie Smulders as S.H.I.E.L.D. agent Maria Hill, because it’s 100-percent cardboard.)

And for someone so lauded for dialogue and humor, why — with the notable exception of Robert Downey Jr.’s Iron Man and a few quips — are the characters’ words so leaden? Why isn’t the movie funnier? I’d argue it has less humor than all its predecessors except 2008’s The Incredible Hulk. There’s a post-credit stinger that clearly contains Whedon’s sardonic touch; The Avengers could use much more of that. For “that,” go see the other movie out now he co-wrote, the very clever, smart and satisfying The Cabin in the Woods.

• It plays a little too much to the fanboys. Look, I’ve read probably 100 adventures of these characters in the last five years, and even I can’t catch all the references. Normally, they’re such throwaways that it doesn’t matter. But the ending left me — and will leave a majority of audiences — asking, “Huh? Who’s that?”

• One of the best characters is ... well, I can’t tell you, but it’s going to be the detriment of the films from here on out.

• 3-D sucks. If a film is not meant to be 3-D, it shouldn’t be converted to such, period. The result is a darker picture that adds nothing, except perhaps a headache. I spent half of The Avengers with the glasses off, and it was rarely blurry, proving the gimmick’s needlessness. Don’t pay the premium if you don’t absolutely have to.

But I know you will, and I hope you have more fun than I. This one will gross a billion dollars, all but assuring a sequel ... that I hope improves upon the original. —Rod Lott

Hey! Read This:
Captain America: The First Avenger film review 
Iron Man film review 
Midnight in Paris film review 
Mission: Impossible — Ghost Protocol film review 
Thor film review  



 
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