Thursday 24 Apr
 
 

Norman rock well

Norman Music Festival

6 p.m.-2 a.m. Thursday, 3:30 p.m.-2 a.m. Friday and noon-2 a.m. Saturday

Downtown Norman

normanmusicfestival.com

Free

04/23/2014 | Comments 0

Grouplovin’ it

Grouplove with MS MR and Smallpools

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$22-$24

04/23/2014 | Comments 0

Hear and now

Hear the Music Tour with The Warren Brothers and Lance Miller

6-10 p.m. Friday

Rodeo Opry

2221 Exchange Ave.

songsforsound.com

$35-$50

04/22/2014 | Comments 0

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0
Home · Articles · CDs · Folk · Parker Millsap and Michael Rose —...
Folk
 

Parker Millsap and Michael Rose — Palisade


Joshua Boydston May 9th, 2012

Fledgling singer-songwriter and Purcell native Parker Millsap builds quite a foundation with stand-up bassist Michael Rose on their debut, Palisade. From the sounds of it, a monumental career is in the works.

palisdade_1

Like velvet laid over gravel, Millsap’s voice plays gruff, jagged and unexpectedly smooth at the same time. He captures the essence of Tom Waits’ vocals better than a 19-year-old singer ever should; fans of Closing Time-era Waits will find lots to like here, albeit more countrified.

The opening title track saunters with a saucy strut that lets out a wallop over Millsap’s equally impressive abilities on the guitar. The more delicate “Seed” drifts like a dandelion across the sunset, and the pair fires full-force on the harrowing “Farmer’s Lament” and never lets down over 11 tracks.

It’s important not to undervalue Rose’s contributions. He’s not just Robin to Millsap’s Batman; his expertly placed bass lines give Palisade the weight it needs in lieu of drums or other backup.

Most impressive is that despite every opportunity to sand down that monumental voice into something more accessible and bending the arrangements to a poppier plane (think Mumford & Sons), the duo commits wholeheartedly to a more vintage appeal, thus giving them a character and credibility few other acts enjoy.

Palisade is dynamite, and if the right pieces fall into the right places, it’s not hard to imagine Millsap’s name up there with the likes of modern folk troubadours like Ray LaMontagne and Ryan Adams. He’s just that good. —Joshua Boydston


 
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