Saturday 19 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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So and so good


No need to go nuclear, now that Nuclear is coming to you — the uncompromising Margot and the Nuclear So and So’s, that is.

Joshua Boydston May 30th, 2012

Margot & the Nuclear So and So’s with Dinosaur Feathers and Whispertown
9 p.m. Thursday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
$12-$14

Credit: Stephanie Bassos

When Margot & the Nuclear So and So’s emerged in the mid-2000s with the brilliant chamber-pop record The Dust of Retreat, major labels saw the band as the next Arcade Fire, The Shins or The Decemberists.

Too bad chief songwriter and lead singer Richard Edwards never planned on sticking to one sound, turning his relationship with Epic Records sour when it came time to release a follow-up.

“It was a rough situation, but when you are fighting for your record the way you want it to be, it’s going to be a worthwhile fight,” he said. “I’d do the same thing all over again.”

Margot ended up releasing two versions of the result: Not Animal and Animal!, respectively the label’s cut and Edwards’ cut. The deal evaporated soon after, and the group has been independent ever since.

“Obviously, you don’t have to deal with bullshit from people. That’s nice,” he said. “You can do what you want. We always did that, anyways, but there’s roadblocks whenever you are working with other people’s money. The downside is not having the budget to do some things.”

Edwards has used his freedom to strip down the orchestral-pop sound to something more in line with ’90s altrock legends Pavement and Dinosaur Jr., as heard in 2010’s Buzzard.

“Nothing prompted it. It just felt like the natural thing to do,” he said. “That tendency had always been there. It was just overshadowed by all the instrumentation.”

The group’s brand-new record, Rot Gut, Domestic, follows suit, if even more bristling and unpredictable than the last.

“I think it’s a punchy pop record, the kind of record I’ve wanted to make since I was a teenager,” Edwards said. “In that regard, I’m very happy with it.”

He has already written the next one, possibly more aligned with Margot’s earlier material, describing it as “not quite as distorted and not quite as punchy … a little more mellow and breezy, but that can change.”

With few obstacles in the way, Edwards said he hopes to have the record out in 2013, but “real life gets in the way sometimes.”

 
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