The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.
And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.
Young the Giant with Civil Twilight 7 p.m. Wednesday, June 6 Diamond Ballroom 8001 S. Eastern diamondballroom.net 677-9169 $14-$17
With just about everything going right for indie rockers Young the Giant, it was only a matter of time before something went wrong. Die-hard Lakers fans comprise the California quintet, including drummer Francois Comtois. “You guys are on fucking fire,” he said. “If it’s not the Lakers, I’m glad it’s OKC. I promise we aren’t haters.”
Thunder fans might recognize Young the Giant’s “Cough Syrup,” which closed each Fox Sports game broadcast, but that’s just one of many big things the band enjoyed this year: a song covered on Glee, performing at the MTV Video Music Awards, opening for Incubus and even gaining an endorsement from Morrissey.
“We grew up playing for, like, 10 or 15 people, and that was the highlight of our week. We never expected anything like this to happen. It’s a surprise every single day,” Comtois said. “To be able to turn that into something we can do as a career is something we feel incredibly fortunate for.”
But only a recent appearance on NBC’s Today finally got the members’ parents abuzz.
“We’ll tell them about
opening for some amazing band or playing this huge festival, and they
are like, ‘Oh, that’s nice,’” Comtois said. “We said we’re playing the Today show, and they lost their shit.”
as The Jakes in 2004, the band changed its name in 2009, and soon
recorded its eponymous debut album with Grammy-winning producer Joe
Chicarelli (The White Stripes, My Morning Jacket).
whipped us into shape,” Comtois said. “I had to get a prescription for
Xanax for [those] two months because I was having panic attacks. It was
intense, but I think we came out with something we were proud of. We are
so happy with it, but at the time, we were terrified.”
traction with singles “My Body” and “Apartment,” Young the Giant has
set its sights on recording its sophomore effort by the New Year.
debut] was scatterbrained at times,” Comtois said. “We are trying to
capture this moment we are in now, embracing those pop sensibilities and
making them a little more subtle. Just trying to mature.”