Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Aw, Swell


Not too punky, not too poppy, The Swellers know one thing: If they weren’t any good, they wouldn’t be celebrating their first decade.

Joshua Boydston June 13th, 2012  

The Swellers with And So It Goes, Just Marco and The Next Wave
6 p.m. Friday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8-$10

Jonathan Weiner

When Nick Diener and his brother formed punk act The Swellers as teenagers, they didn’t know what they were doing.

“When we were kids, we had these guitars and we wondered what it would be like to be rock stars. So we formed a band,” guitarist and singer Diener said. “I didn’t know if The Swellers would still be a band in 10 years, but I’m really glad it is.”

A decade later, things aren’t all that much clearer. At the same time, the four-piece finds itself in the midst of rebirth.

“It’s a return to form,” he said. “We are kind of getting to show everyone what we wanted this band to be in the first place.”

Starting young and clueless had its downsides. It had been a constant struggle for the Flint, Mich.-based outfit to figure out just exactly what it was, and was forced into making decisions without knowing the answer.

“We are not quite poppy enough for the pop kids and not quite punky enough for the punk kids. We’ve had to try and find our niche. We used to be able to tour with whoever we wanted to, and we did,” Diener said. “Not every one of those tours is going to be beneficial for us, no matter how much fun they were at the time. We learned our lesson: We want to play to kids who get us, not arenas full of nacho-eating, fat Americans. That’s not our demographic.”

More focused touring is just one move The Swellers have made to find themselves. The most dramatic step was ditching a deal with influential emo-pop label Fueled by Ramen after last year’s Good for Me album.

All these things see The Swellers enjoying their freedom and a wealth of experience to guide it. The band will release an EP later this year on its own, but may look for a new home for a full album already in the works for 2013. The material “doesn’t sound like anything [the band] has ever done before,” Diener said: more measured, slower and, as clichéd as it is, mature.

“We have room to grow,” he said.


 
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