Saturday 25 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Honey, I quit the band


Two married members of alt-country’s Green Corn Revival now pursue ‘folk-rock noir’ as Honeylark.

Joshua Boydston July 25th, 2012  

Honeylark with The Town and County War
10 p.m. Friday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$5

Divorces can be messy, but married couple Natalie and Ryan Houck’s split from Green Corn Revival to form altcountry act Honeylark was as amicable as possible, with both sides citing the ol’ “irreconcilable differences.”

“Ryan and I had been writing our own stuff for a long time,” Natalie Houck said. “You know how artists are: We don’t want to give up control of our own work. It was a lot of tension, and we felt it was mutually beneficial for us to have our own project.”

Honeylark drummer Kenny Holloway, who also performed in Green Corn Revival, gave all parties involved the proper perspective as the two bands move forward.

“[He] said no one should be disappointed, because now there’s two great bands out of one,” Natalie said. “That’s one good way to look at it.”

To call the two carbon copies, despite the alt-country roots and similar personnel, would sell Honeylark short; the new tunes are a breed of their own.

“It’s country-influenced, still, but this has more of a folk flair to it,” Ryan Houck said. “It’s also a darker, heavier feel. The Green Corn stuff was pretty accessible and ethereal. This has a Nick Cave and Tom Waits-esque vibe.”

Death Cab for Cutie, St. Vincent and Natalie Merchant also come into play.

“It’s a depressing playlist, but I love it,” said Natalie Houck, who steps into the spotlight as lead singer. “I like to get in touch with my dark side.”

She can dive into that darker realm as deep as she wants to go, formulating the early beginnings of “folk-rock noir” songs that her husband helps refine. Providing the finishing touches are Caleb Creed (keys, accordion), Justin Ransford (mandolin) and Wally Tarkington.

“I’m not going to lie and say it’s always easy,” Natalie Houck said of working more intimately with her spouse. “We have our conflicts over it, arguments over silly little details, but that’s just life. When you bring art into it, it can be tricky, but it’s also so rewarding.”

Friday at VZD’s marks Honeylark’s debut performance, with a slate of shows booked through fall. The Houcks aim to deliver their first album next year. Until then, the new arrangement feels like the perfect marriage.

“The change of energy and scenery has got everyone excited again,” she said. “We all thrive on change now and then.”

 
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