Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
Newsletter
Home · Articles · Music · Music · Listen up
Music

Listen up


Rock, folk, hip-hop, metal — local music was loud and proud in 2012, and these 10 albums prove it. Just press play.

Joshua Boydston December 26th, 2012


listenup

1. Parker Millsap and Michael Rose
Palisade

While it’s been another great year of quality Oklahoma releases, no one had quite the star-making performance that Millsap did with Palisade. The humble, 19-year-old Purcell native went from unknown to local favorite in less than half a year, thanks to his Tom Waits howl of a voice tearing through masterfully crafted ditties like “Seed” and “Farmer’s Lament.” Palisade is bare and stripped down to the essentials: a guitar, a stand-up bass and that voice. When you are this good, that’s all you really need.

2. Copperheads
Apocalyptic Behavior

You can practically hear Apocalyptic Behavior before you press play. It’s just as fiery, fierce, chaotic and concussive as the title promises. It’s also brilliant — the type of brilliance you can only achieve if you’re not trying to do anything brilliant at all. “Windshield Wiper,” “Voyeur” and “Meat By Product” harken back to Black Flag, the Dead Kennedys and Bad Brains … not a derivative, but a direct extension. Punk ain’t dead — it’s gone through hell and back, and woke up in Oklahoma. 



3. John Fullbright
From the Ground Up

Oklahomans have known that Fullbright was special since the first raspy note he let out in his — and Woody Guthrie’s — hometown of Okemah, but with the newly Grammy-nominated From the Ground Up, now the whole world is taking notice. It’s a studied set of powerful and smart folk tunes, and with “Gawd Above” and “Jericho,” it felt like Guthrie was among us again.

4. Defining Times
Separate Tongues

Lots of bands reach out for that big, airy, atmospheric aesthetic of a Radiohead or U2, but crash and burn in an awkward, Grape Lady-like fall. Defining Times not only keeps its feet, but finds itself in Separate Tongues, a seven-song effort — anchored by the Bon Iver-esque “Outlaw” — that has the OKC act sounding right at home up in the clouds.   



5. Josh Sallee
Probable Flaws

Much like Kevin Durant, it’s hard to appreciate just how impressive Sallee’s feats are because he makes them look so damned easy. He glides over beats like he learned to rap before talk. “Put Out” is hilariously clever; “Ew” boasts an infectious bounce; and “Big Kid Bars” is radio-ready. It is only a matter of time before OKC’s Sallee makes a national splash; he’s one “Donald Trump” away from being a household name.

6. Chelsey Cope
A Deeper Root  

It’s hard to find a way to shine in a city flush with remarkable female singer-songwriters, but Cope does just that with A Deeper Root, a devastating and determined collection of Cat Power-style tunes. It’s imperfect, but decidedly so, embracing the cracks, twists and turns for all the character they reveal, best heard in “The Fall” and “Gotta Lot of Nerve.” 



7. Myke Brown
Don’t Forget the Y

It was great to see Brown, more noted for his slick guest verses than own material, step into the spotlight with Don’t Forget the Y. I don’t see him willing to let it go, either, given the strength of this disc. “Atlantis” is the best local hip-hop track of the year; “Hey I” (also featuring Sallee) is equally strong; and another Oklahoma hip-hop heavyweight is born.

8. Young Readers
Family Trees

When an album comes wrapped in a coloring sheet and packed with a set of crayons, you get an idea of where you’re headed. Family Trees is as gentle and polite as you expect, but it’s not childish — more trying to remember, a few years and a few heartbreaks later, what being a kid was like. Songs like “Boxcar” are quaint, lovely and warm your heart like little else could. 



9. Colin Nance
Warmth

No one in Oklahoma is making the music Nance is, and with Warmth, he’s creating bigger, bolder and more inventive sounds by himself than most bands ever could. “Dream Cove” and “Awakening” fall sonically in line with M83 and Toro y Moi, but boasting a voice that recalls Twin Shadow. Warmth is of-the-moment, but something of its very own.

10. Cosmostanza
Rad Vibes

No one cut loose the way Cosmostanza did on its debut, Rad Vibes, which I’m assuming is the result of translating a pizza-fueled Super Smash Bros. tourney into tunes. Beneath the fuzz of “Dance Party” and “You Make Things Fun” are some of the catchier melodies of the year. Raw, yes, but Rad Vibes sees Cosmostanza brimming with potential.



Just missed the list: The Black Jack Gypsys’ 3:1, John Calvin’s Without Wax, Cusp’s Nothing Proper, Deerpeople’s Explorgasm, Rob Vader’s The Esoteric.

Hey! Read This:
The Black Jack Gypsys' 3:1 album review   
Chelsey Cope's A Deeper Root album review   
Colin Nance's Warmth album review   
Copperheads' Apocalyptic Behavior album review   
Cosmostanza's Rad Vibes album review  
Cusp's Nothing Proper album review  
Deerpeople interview 
Defining Times interview    
John Calvin interview    
John Fullbright interview    
Josh Sallee's Probable Flaws album review   
Myke Brown's Don’t Forget the Y album review  
Parker Millsap and Michael Rose's Palisade album review   
Rob Vader interview 
Young Readers interview  

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close