Friday 18 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Citizen Dick


Oklahoma singer-songwriter Luke Dick explores new ground and assembles a new album in New York City.

Louis Fowler January 2nd, 2013

While Oklahoma-born singer-songwriter Luke Dick’s base of operations is currently New York City, it doesn’t mean he’s completely left his Okie roots behind.

“Of course I miss Oklahoma. Most of my family’s from Oklahoma, so there’s always a hole in the place of them,” said Dick, who hails from the Caddo County town of Cogar.

“It seems to be that every time I come back through, there’s always some new thing, especially Oklahoma City. That seems to be in a heavy development phase and the arts community seems to be burgeoning with it. It’s always exciting to come back and see the changes and be a part of it.”

Dick recently got a chance to see some of those changes firsthand, having performed at Belle Isle Restaurant & Brewery and Grandad’s Bar this past November. He was reminded of how different Oklahoma audiences are from those in New York.

“I played Thanksgiving in Oklahoma and where I played, it was a pretty rowdy crowd,” he said. “It’s fun. You’re yelling and it’s a barroom crowd who are there to have fun and you have to earn their respect and attention — which is fine with me. I kinda like fighting for the crowd.”

Between touring and recording, Dick is also finding time to celebrate the upcoming release of his latest album, Abraço, which he called a significant departure for him.

Abraço is kind of a psychedelic-rock throwback to records that I grew up on, things like Harry Nilsson and Elton John,” Dick said. “It’s songwriting from what I consider a songwriter’s perspective: You know where the chorus is and you know what the lyrics are about. I look at a song like ‘Rocket Man,’ for instance, and [John] took it to the moon and back,” Dick said. “In the past, I wouldn’t dare write a song about the Big Bang and the unfolding of the universe, whereas on this record, I don’t hesitate to do that at all.”

But beyond the freedoms of his newfound writing style, Dick said he’s also trying to capture a certain maturity of mood that he hasn’t been able to before.

“Mood-wise, the record is more hearthy. That is, it’s about things like the everyday aspects of my life, and what I’m thinking about: my daughter, my relationship to my family, my relationship to the city I live in, and my relationship to the universe,” Dick said. “These things are not a caricatured aspect of me, whereas songs I’ve written in the past, those have been caricatures.”

The fear of alienating his fans by introducing such radically different material might worry other performers, but Dick said the response so far has been “quite good.” And he said the approach is resonating with audiences.

“I’ve changed the arrangements and the way I play music live to accommodate what I’m doing now,” Dick said. “When you bring everything down a notch and you’re playing an acoustic guitar, the ambient sounds that are meant to invoke these certain images, it becomes something more special, something more … sacred.”

 
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